Cet artiste a participé aux oeuvres des artistes suivants : - Acis & Galatea: Parte seconda, "Avampo", "Ferito son d'Amore" de Thomas - Agitato da fiere tempeste [Riccardo Primo: I,6] de Minter - Agrippina: Aria. Ogni vent de Philharmonia Baroque Orchestra - Ah! Stigie Larve/Già latra Cerbero/Mà la furia/Vaghe pupille [Orlando: II,11] de Minter - Almand's by Mr. Nicola Matteis: I. Slow de The Arcadian Academy - Almand's by Mr. Nicola Matteis: II. Almaine de The Arcadian Academy - Amor, nel mio penar [Flavio: III,4] de Minter - Arianna: Aria. Mirami altero in volt de Philharmonia Baroque Orchestra - Athalia: Act II, Scene I, "Ah, canst thou but prove me!" de Thomas - Audi, filia: Alleluia de Philharmonia Baroque Orchestra - Audi, filia: Audi, filia de Philharmonia Baroque Orchestra - Audi, filia: Specia tua de Philharmonia Baroque Orchestra - Che più si tarda omai/Inumano fratel/Stille amare [Tolomeo: III,6] de Minter - Concerto Grosso in A minor Op. 6 No. 4 : I. Larghetto affetuoso de Orchestra of the Age of Enlightenment/Nicholas McGegan - Concerto Grosso in A minor Op. 6 No. 4 : II. Allegro de Orchestra of the Age of Enlightenment/Nicholas McGegan - Concerto Grosso in A minor Op. 6 No. 4 : III. Largo e piano de Orchestra of the Age of Enlightenment/Nicholas McGegan - Concerto Grosso in A minor Op. 6 No. 4 : IV. Allegro de Orchestra of the Age of Enlightenment/Nicholas McGegan - Concerto Grosso in C major, 'Alexander's Feast': I. Allegro de Orchestra of the Age of Enlightenment/Nicholas McGegan - Concerto in B-Flat: Allegro de Philharmonia Baroque - Concerto in B-Flat: Largo de Philharmonia Baroque - Deborah: Act I, Scene III, "Barak, my son", "Awake the ardour" de Thomas - Deborah: Act II, Scene II, "Thy ardours warm", "Swift inundation" de Thomas - Deborah: Act III, Scene II, "Tears, such as tender fathers shed" de Thomas - Dimmi, creuHandel: dele Amore - from Muzio Scevola de Lorraine Hunt Lieberson - È questa la Mercede/Cielo! Se tu il consenti [Orlando: II,3] de Minter - Esther: Act I, Scene III, "I'll hear no more", "Pluck root and branch" de Thomas - Esther: Act II, Scene VI, "Turn not, O Queen" de Thomas - Esther: Act III, Scene VI, "How art thou fall'n" de Thomas - Ezio: Act I, Scene VI, "Perché tanto tormento?", "Se un bell'ardire" de Thomas - Ezio: Act II, Scene VIII, "Folle é colui", "Nasce al bosco" de Thomas - Ezio: Act III, Scene XIII, "Che indegno!", "Già risonar" de Thomas - Già per la man/Già l'ebro mio ciglio [Orlando: III,8] de Minter - Guilio Cesare: Aria. L?angue offeso mai riposa de Philharmonia Baroque Orchestra - Guilio Cesare: Aria. La Giustizia de Philharmonia Baroque Orchestra - Guilio Cesare: Recit. Figlio non e L'angue offeso mai riposa de Philharmonia Baroque Orchestra - Handel: 'Amo Tirsi' from Clori, Tirsi e Fileno de Lorraine Hunt Lieberson - Handel: 'Angels, ever bright and fair' from Theodora de Lorraine Hunt Lieberson - Handel: 'Barbaro!' from Clori, Tirsi e Fileno de Lorraine Hunt Lieberson - Handel: 'Bending to the Throne' from Susanna de Lorraine Hunt Lieberson - Handel: 'Guilt trembling spoke my doom' from Susanna de Lorraine Hunt Lieberson - Handel: 'He was despised' from Messiah de Lorraine Hunt Lieberson - Handel: 'Mirami altero in volto' from Arianna in Creta de Lorraine Hunt Lieberson - Handel: 'Ogni vento' from Agrippina de Lorraine Hunt Lieberson - Handel: 'Oh! that I on wings could rise' from Theodora de Lorraine Hunt Lieberson - Handel: 'Qual nave' from Radamisto de Lorraine Hunt Lieberson - Handel: 'Va col canto' from Clori, Tirsi e Fileno de Lorraine Hunt Lieberson - Handel: 'Vieni, o figlio' from Ottone de Lorraine Hunt Lieberson - Handel: 'With Darkness, deep' from Theodora de Lorraine Hunt Lieberson - Handel: Affanni del pensier - from Ottone de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Amante stravagante - from Flavio de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Cara speme - from Giulio Cesare de Lorraine Hunt Lieberson - Handel: Da tempeste il legno infranto - from Giulio Cesare de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: False immagine - from Ottone de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Il volo cosi fido - from Riccardo de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: L'amor che per te sento - from Alessandro de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: L'angue offeso - from Giulio Cesare de Lorraine Hunt Lieberson - Handel: L'aure che spira - from Giulio Cesare de Lorraine Hunt Lieberson - Handel: La giustizia - from Giulio Cesare de Lorraine Hunt Lieberson - Handel: Mirami - from Arianna de Lorraine Hunt Lieberson - Handel: Ogni vento - from Agrippina de Lorraine Hunt Lieberson - Handel: Ombra cara - from Radamisto de Lorraine Hunt Lieberson - Handel: Ombre, piante, urne funeste! - from Rodelinda de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Pensieri - from Agrippina de Lorraine Hunt Lieberson - Handel: Piangerò la sorte mia - from Giulio Cesare de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Qual leon - from Arianna de Lorraine Hunt Lieberson - Handel: Qual nave - from Radamisto de Lorraine Hunt Lieberson - Handel: Scoglio d'immota fronte - from Scipione de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Se non mi vuol amar - from Tamerlano de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Se pietà di me non senti - from Giulio Cesare de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Spietati - from Rodelinda de Lisa Saffer, Philharmonia Baroque Orchestra, Nicholas McGegan - Handel: Svegliatevi - from Giulio Cesare de Lorraine Hunt Lieberson - Handel: Vieni, o figlio - from Ottone de Lorraine Hunt Lieberson - Il Favorito: Allegro de Philharmonia Baroque - Il Favorito: Andante de Philharmonia Baroque - Il Vespero di Santa Cecilia - Antiphon to the Magnificat: Est secretum de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Antiphon: Benedico te de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Antiphon: Cantantibus organis de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Antiphon: Cecilia, famula de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Antiphon: Triduanas a Domino de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Antiphon: Valerianus de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Hymn: Jesu, corona: Jesu, corona de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Hymn: Jesu, corona: Qui pergis de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Hymn: Jesu, corona: Quocumque tendis de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Hymn: Jesu, corona: Te deprecamur de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Hymn: Jesu, corona: Virtus, honor de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Magnificat: Fecit potentiam de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Magnificat: Gloria Patri de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Magnificat: Magnificat de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Amen de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: De torrente de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Dixit Dominus de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Dominus a dextris de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Gloria Patri de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Juravit Dominus de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 109/110: Dixit Dominus: Sicut erat de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: A solis ortu de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Amen de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Et humilia de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Laudate pueri de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Quis sicut de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Suscitans de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 112/113: Laudate pueri: Ut collocet de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Amen de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Fiat pax de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Glora Patri de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Illuc enim de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Laetatus sum de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Propter fratres de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 121/122: Laetatus sum: Quia illic de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 126/127: Nisi Dominus: Gloria Patri de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 126/127: Nisi Dominus: Nisi Dominus de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Psalm 147: Lauda, Jerusalem de Philharmonia Baroque Orchestra - Il Vespero di Santa Cecilia - Versicle: Deus in adiutorium de Philharmonia Baroque Orchestra - L'amoroso: Adagio cantabile de Philharmonia Baroque - L'amoroso: Allegro de Philharmonia Baroque - L'autunno: Adagio Molto de Philharmonia Baroque - L'autunno: Allegro de Philharmonia Baroque - L'estate: Adagio de Philharmonia Baroque - L'estate: Allegro non molto de Philharmonia Baroque - L'estate: Presto de Philharmonia Baroque - L'inverno: Allegro de Philharmonia Baroque - L'inverno: Allegro non molto de Philharmonia Baroque - L'inverno: Largo de Philharmonia Baroque - La Primavera: Allegro de Philharmonia Baroque - La Primavera: Largo de Philharmonia Baroque - Les nuits d'été: I. Villanelle de Philharmonia Baroque Orchestra - Les nuits d'été: II. Le Spectre de la Rose de Philharmonia Baroque Orchestra - Les nuits d'été: III. Sur les Lagunes de Philharmonia Baroque Orchestra - Les nuits d'été: IV. Absence de Philharmonia Baroque Orchestra - Les nuits d'été: V. Au Cimetière de Philharmonia Baroque Orchestra - Les nuits d'été: VI. L'ile Inconnue de Philharmonia Baroque Orchestra - Nisi Dominus: Amen de Philharmonia Baroque Orchestra - Nisi Dominus: Beatis vir de Philharmonia Baroque Orchestra - Nisi Dominus: Cum dederit de Philharmonia Baroque Orchestra - Nisi Dominus: Gloria Patri de Philharmonia Baroque Orchestra - Nisi Dominus: Nisi Dominus de Philharmonia Baroque Orchestra - Nisi Dominus: Sicut sagittae de Philharmonia Baroque Orchestra - Nisi Dominus: Vanum de Philharmonia Baroque Orchestra - Non è si vago e bello [Giulio Cesare: I,7] de Minter - Nube, che il Sole/Si fugge il duol [Riccardo Primo: II,7] de Minter - Orlando: Act I, Scene II, "Mira, prendi l'essempio!", "Lascia Amor" de Thomas - Orlando: Act III, Scene VI, "Impari ognun da Orlando", "O voi, del mio poter", "Sorge infausta un procella" de Thomas - Ottone: Aria. Vieni o figlio de Philharmonia Baroque Orchestra - Ottone: Recit. Ben a raggion Vieni, o figlio e mi consola de Philharmonia Baroque Orchestra - Radamisto: Aria. Ombra cara di mia sposa de Philharmonia Baroque Orchestra - Radamisto: Aria. Qual nave de Philharmonia Baroque Orchestra - Salve Regina: Ad te de Philharmonia Baroque Orchestra - Salve Regina: Eja ergo de Philharmonia Baroque Orchestra - Salve Regina: O clemens de Philharmonia Baroque Orchestra - Salve Regina: Salve Regina de Philharmonia Baroque Orchestra - Sonata in B-Flat Major, Book 2, No. 22-24: I. Fantasia à violino solo de The Arcadian Academy - Sonata in B-Flat Major, Book 2, No. 22-24: II. Pavana Armoniosa de The Arcadian Academy - Sonata in B-Flat Major, Book 2, No. 22-24: III. Il Russignolo de The Arcadian Academy - Sonata in E Major, Book 2, No. 30-32: I. Sonata de The Arcadian Academy - Sonata in E Major, Book 2, No. 30-32: II. Aria, Variata de The Arcadian Academy - Sonata in E Major, Book 2, No. 30-32: III. Corrente de The Arcadian Academy - Sonata in F Major, Book 3, No. 7-9: I. Preludio - Prestissimo de The Arcadian Academy - Sonata in F Major, Book 3, No. 7-9: II. Sarabanda - Adagio; Vivace de The Arcadian Academy - Sonata in F Major, Book 3, No. 7-9: III. Gavotta con divisione de The Arcadian Academy - Sosarme: Act I, Scene V, "Addio, principe scrupoloso", "Fra l'ombre e gli orrori" de Thomas - Sosarme: Act II, Scene VII, "Quanto più Melo", "Sento il cor" de Thomas - Sosarme: Act III, Scene IX, "Tanto s'eseguirà", "Tiene Giove" de Thomas - Suite in A Minor, Book 2, No. 25-29: I. Alemanda ad imitatione d'un tartaglia de The Arcadian Academy - Suite in A Minor, Book 2, No. 25-29: II. Movimento incognito - Variatione de The Arcadian Academy - Suite in A Minor, Book 2, No. 25-29: III. Passaggio rotto de The Arcadian Academy - Suite in A Minor, Book 2, No. 25-29: IV. Fantasia - Violino solo senza basso de The Arcadian Academy - Suite in A Minor, Book 2, No. 25-29: V. Aria burlesca con molto bizzarie de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: I. Preludio Allegro - Prestissimo; Malinconico - Adagio (A melancholique prelude) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: II. Aria con divisione - Presto (Ayre with division) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: III. Adagio de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: IV. Minuetto (Minuett) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: IX. Aria - Adagio; Presto (A Slow Ayre) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: V. Allegro; Adagio (Allegro) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: VI. Aria con Divisione "For the Flute" (Ayre with division) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: VII. Aria per Ballare, Vivace (A Ballett) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: VIII. Corrente ala maniera Francese (Courant after the French manner) de The Arcadian Academy - Suite in C Minor, Book 3, No. 23-32: X. Jigg - Prestissimo de The Arcadian Academy - Suite in D Major, Book 4, No. 43-46: I. Preludio de The Arcadian Academy - Suite in D Major, Book 4, No. 43-46: II. Aria Allegra de The Arcadian Academy - Suite in D Major, Book 4, No. 43-46: III. Sarabanda - Adagio de The Arcadian Academy - Suite in D Major, Book 4, No. 43-46: IV. Aria ò pur Rondeau - Prestissimo de The Arcadian Academy - Suite in D Major: Alla Hornpipe de Philharmonia Baroque Orchestra - Suite in D Major: Bourrée de Philharmonia Baroque Orchestra - Suite in D Major: Lentement de Philharmonia Baroque Orchestra - Suite in D Major: Minuet de Philharmonia Baroque Orchestra - Suite in D Major: [Allegro] de Philharmonia Baroque Orchestra - Suite in F Major, Book 4, No. 30-32: I. Bizzarrie all'Umor Scozzese - Allegro (A Pretty Hard Ground after the Scotch Humour to make a hand) de The Arcadian Academy - Suite in F Major, Book 4, No. 30-32: II. Un poco di Grave - Adagio (An Easy Grave according to the French way) de The Arcadian Academy - Suite in F Major, Book 4, No. 30-32: III. Aria for the Flute - Presto (Ayre) de The Arcadian Academy - Suite in F Major: Adagio e Staccato de Philharmonia Baroque Orchestra - Suite in F Major: Air de Philharmonia Baroque Orchestra - Suite in F Major: Bourrée de Philharmonia Baroque Orchestra - Suite in F Major: Hornpipe de Philharmonia Baroque Orchestra - Suite in F Major: Minuet de Philharmonia Baroque Orchestra - Suite in F Major: Overture [Largo/Allegro] de Philharmonia Baroque Orchestra - Suite in F Major: Variation 1 de Philharmonia Baroque Orchestra - Suite in F Major: Variation 2 - Alla Hornpipe de Philharmonia Baroque Orchestra - Suite in F Major: [Allegro]/Andante/[Allegro da capo] de Philharmonia Baroque Orchestra - Suite in F Major: [Andante] de Philharmonia Baroque Orchestra - Suite in F Major: [Minuet] de Philharmonia Baroque Orchestra - Suite in G Major: Gigue/[Gigue II]/[Gigue da capo] de Philharmonia Baroque Orchestra - Suite in G Major: Menuet/[Menuet II]/[Menuet da capo] de Philharmonia Baroque Orchestra - Suite in G Major: Rigaudon/[Rigaudon II]/Rigaudon I da capo de Philharmonia Baroque Orchestra - Suite in G Major: [Minuet] de Philharmonia Baroque Orchestra - Suite in G Minor, Book 3, No. 41-44: I. Preludio Grave - Adagio, Prestissimo (Prelude) de The Arcadian Academy - Suite in G Minor, Book 3, No. 41-44: II. Aria con Divisione per far la mano (A division Ayre) de The Arcadian Academy - Suite in G Minor, Book 3, No. 41-44: III. Corrente (Courant) de The Arcadian Academy - Suite in G Minor, Book 3, No. 41-44: IV. Aria sminuita per far la mano (An Ayre to make a hand) de The Arcadian Academy - T'ubbidirò, crudele/Fammi combattere [Orlando: I,9] de Minter - Terpsicore (1734) HWV 8b: No. 1 Coro. I nostri cori de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 10 Air: Tempójelzés nélkül (Without tempo indication - Un poco più presto) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 11 Aria. Hai tanto rapido (Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 12 (Ballo) Tempójelzés nélkül (Without tempo indication) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 13 Duetto. Vezzi più amabili (Apollo, Erato) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 14 Coro. Cantiamo lieti della virtù de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 2 Aria. Gran tonante (Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 3 Aria. Di Parnasso I dolci accenti (Erato) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 4 Prelude: Larghetto de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 6 Chaconne: Tempójelzés nélkül (Without tempo indication) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 6 Duetto. Col tuo piede (Apollo, Erato) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 7 Sarabanda: Largo assai de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 8 Gigue: Presto de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: No. 9 Duetto. Tuoi passi son dardi (Apollo, Erato) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Overture: Largo - Allegro de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. Dai, quando vuoi (Erato, Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. Ecco sen vien (Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. La gelosia, cieco il furor (Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. La speme e cura d'un fido amor (Erato) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. Ma Terpsicore snella, dov'è? (Erato, Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. Melodiosa germana (Apollo de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Terpsicore (1734) HWV 8b: Recitativo. Pingi is trasporti d'un amator (Apollo) de Katalin Farkas, Derek Lee Ragin, Chamber Choir, Mátyás Antal, Capella Savaria, Nicholas McGegan & Pál Németh - Tolomeo: Act II, Scene VII, "Piangi pur" de Thomas - Va tacito e nascosto [Giulio Cesare: I,9] de Minter - Vivi, tiranno [Rodelinda: III,4] de Minter