Cet artiste a participé aux oeuvres des artistes suivants : - Adhaesit lingua lactentis ad palatum eius in siti de John Mark Ainsley - Ah Heav'n! what is't I hear? de Cornwell - Ah, wretched prince / Wing'd with our fears /O prodigy/See, see, Jove's Priests de Ramey - Alas! she yields, and has undone me de Horne - Aleph. Quomodo obscuratum est aurum de John Mark Ainsley - Amico ciel, seconda il mio disegno de Brown - As from the pow'r of sacred lays de Suzie Le Blanc - Attendo qui Nerone e Claudio ancora de Brown - But oh! what art can teach de Cornwell - Concert: "Saul, Saul, was verfolgst du mich?" (SWV 415) de Holton - Coronato il crin d'alloro...Roma, più ch'il trionfo de Brown - Cuius animam gementem de Jorg Waschinski - Daleth de John Mark Ainsley - Daughter, obey de Ramey - Despair no more shall wound me de English Chamber Orchestra - Di timpani e trombe de Brown - Ecco il superbo de Brown - Ecco la mia rivale de Brown - Eia mater, fons amoris de Jorg Waschinski - Fac, ut ardeat cor meum de Jorg Waschinski - Fac, ut portem Christi mortem de Jorg Waschinski - From harmony, from heav'nly harmony de Suzie Le Blanc - Handel : Agrippina / Act 1 - L'ultima del gioir mèta gradita...Lusinghiera mia speranza de English Baroque Soloists - Handel : Agrippina / Act 1 - Ma qual di liete trombe...Allegrezza, allegrezza!...Che sento! de Jones - Handel : Agrippina / Act 2 - Coronato il crin d'alloro...Roma, più ch'il trionfo de Brown - Handel : Agrippina / Act 2 - Di timpani e trombe de Brown - Handel : Agrippina / Act 2 - Ecco il superbo de Brown - Handel : Agrippina / Act 2 - Nulla sperar da me...E tu, Poppea...Tuo ben è 'l trono...Sotto il lauro ch'hai sul crine de Brown - Handel : Agrippina / Act 2 - Otton, qual portentoso fulmine de English Baroque Soloists - Handel : Agrippina / Act 2 - Signor, quanto il mio core de Brown - Handel : Agrippina / Act 2 - Ti vo' giusta e non pietosa de English Baroque Soloists - Handel : Agrippina / Act 2 - Vaghe fonti...Ottone traditore! de Brown - Handel : Agrippina / Act 2 - Voi che udite il mio lamento de English Baroque Soloists - Handel : Agrippina / Act 3 - Amico ciel, seconda il mio disegno de Brown - Handel : Agrippina / Act 3 - Attendo qui Nerone e Claudio ancora de Brown - Handel : Agrippina / Act 3 - Ecco la mia rivale de Brown - Handel : Agrippina / Act 3 - Il caro Ottone al precipizio io spinsi de Brown - Handel : Agrippina / Act 3 - Lieto il Tebro increspi l'onda de Miles - Handel : Agrippina / Act 3 - Pur al fin se ne andò de Brown - Handel : Agrippina / Act 3 - Pur ch'io ti stringa al sen de English Baroque Soloists - Handel : Agrippina / Act 3 - Tacerò, tacerò de English Baroque Soloists - Handel : Israel in Egypt / Part 2: Moses' Song - No.26 Air: "Thou shalt bring them" de English Baroque Soloists - Handel : Jephtha / Act 1 - "Happy this embassy, my charming Iphis"/"Dull delay, in piercing anguish" de The Monteverdi Choir - Handel : Jephtha / Act 1 - "I go. My soul, inspir'd by thy command"/"These labours past, how happy we!" de Dawson - Handel : Jephtha / Act 2 - "Glad tidings of great joy to thee, dear Iphis" de The Monteverdi Choir - Handel : Jephtha / Act 2 - "If such thy cruel purpose"/"On me let blind mistaken zeal" de The Monteverdi Choir - Handel : Jephtha / Act 2 - "O spare your daughter" de Varcoe - Handel : Jephtha / Act 2 - "Up the dreadful steep ascending" de The Monteverdi Choir - Handel : Jephtha / Act 3 - "My faithful Hamor, may that Providence"/"All that is in Hamor mine" de Robson - He. Facti sunt hostes eius in capite de John Mark Ainsley - Heth de John Mark Ainsley - Heth. Cogitavit Dominus dissipare murum filiae Sion de John Mark Ainsley - How I was hence remov'd de Horne - Hymen, haste, thy torch prepare de English Chamber Orchestra - Il caro Ottone al precipizio io spinsi de Brown - Incipit lamentatio Jeremiae prophetae de John Mark Ainsley - Inflammatus et accensus de Jorg Waschinski - Ipsa autem gemens conversa est retrorsum de John Mark Ainsley - J.S. Bach : "Erbarme dich" (St. Matthew Passion) de English Baroque Soloists - J.S. Bach : "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Duet "Ich fürchte zwar/nicht des Grabes Finsternis" de Padmore - J.S. Bach : "Erfreut euch, ihr Herzen" Cantata, BWV 66 - Recitative (Dialogue) & Arioso "Bei Jesu Leben freudig sein" de Padmore - J.S. Bach : Cantata "Gott fähret auf mit Jauchzen" BWV 43 / Part 2 - 8. Recitative: "Der Vater hat ihm ja ein ewig Reich bestimmet" de English Baroque Soloists - J.S. Bach : Cantata "Gott fähret auf mit Jauchzen" BWV 43 / Part 2 - 9. Aria: "Ich sehe schon im Geist" de English Baroque Soloists - J.S. Bach : Cantata "Wer da gläubet und getauft wird" BWV 37 - 3. Chorale: "Herr Gott Vater, mein starker Held" de Argenta - J.S. Bach : Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 3a. Aria: "In deine Hände befehl ich meinen Geist" de English Baroque Soloists - J.S. Bach : Cantata, BWV 106 "Gottes Zeit ist die allerbeste Zeit" - 3a./b. "In deine Hände befehl ich meinen Geist" - "Heute wirst du mit mir" de Varcoe - J.S. Bach : Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 4. Recitativo: Der Glocken bebendes Getön de English Baroque Soloists - J.S. Bach : Cantata, BWV 198 "Laß Fürstin, laß noch einen Strahl" - 5. Aria: "Wie starb die Heldin so vergnügt" de English Baroque Soloists - J.S. Bach : Herz und Mund und Tat und Leben, Cantata BWV 147 - 3. Aria: "Schäme dich, o Seele nicht" de Robson - J.S. Bach : Herz und Mund und Tat und Leben, Cantata BWV 147 - 8. Recitativo: "Der höchsten Allmacht Wunderhand" de Robson - J.S. Bach : Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 4. Arie: "Ach, bleibe doch, mein liebstes Leben" de English Baroque Soloists - J.S. Bach : Lobet Gott in seinen Reichen, BWV 11 (Ascension Oratorio) - 7. Rezitativ: "Ach ja! So komme bald zurück" de English Baroque Soloists - J.S. Bach : Mass in B minor, BWV 232 / Agnus Dei - Agnus Dei de English Baroque Soloists - J.S. Bach : Mass in B minor, BWV 232 / Gloria - Qui sedes ad dexteram Patris de McKenna - J.S. Bach : St. John Passion, BWV 245 / Part One - No.7 Aria (Alt): "Von den Stricken meiner Sünden" de Robson - J.S. Bach : St. John Passion, BWV 245 / Part Two - No.30 Aria (Alt): " Es ist vollbracht " de English Baroque Soloists - J.S. Bach : St. Matthew Passion, BWV 244 / Part One - No.27 Aria (Soprano, Alto, Chorus II): "So ist mein Jesus nun gefangen" - Chorus I/II: "Sind Blitze, sind Donner" de Bonney - J.S. Bach : St. Matthew Passion, BWV 244 / Part Two - No.33 Evangelist, Pontifex, Testis I/II: "Und wiewohl viel falsche Zeugen herzutraten" de Anthony Rolfe Johnson - J.S. Bach : St. Matthew Passion, BWV 244 / Part Two - No.39 Aria (Alto): "Erbarme dich" de English Baroque Soloists - J.S. Bach : St. Matthew Passion, BWV 244 / Part Two - No.59 Recitative (Alto): "Ach Golgatha" de English Baroque Soloists - J.S. Bach : St. Matthew Passion, BWV 244 / Part Two - No.60 Aria (Alto, Chorus II): "Sehet, Jesus hat die Hand" - "Wohin?" de The Monteverdi Choir - Jerusalem, Jerusalem, convertere ad Dominum Deum tuum de John Mark Ainsley - L'ultima del gioir mèta gradita...Lusinghiera mia speranza de English Baroque Soloists - Lamed de John Mark Ainsley - Lieto il Tebro increspi l'onda de Miles - Ma qual di liete trombe...Allegrezza, allegrezza!...Che sento! de Jones - Matribus suis dixerunt de John Mark Ainsley - Misericordiae Domini quia non sumus consumpti de John Mark Ainsley - Monteverdi : L'Orfeo / Act 1 - "Lasciate i monti" - "Ma tu, gentil cantor" de English Baroque Soloists - Monteverdi : L'Orfeo / Act 1 - "Ma se il nostro gioir" - "Ecco Orfeo" de Robson - Monteverdi : L'Orfeo / Act 2 - "Ahi, caso acerbo" - "In un fiorito prato" de Anne Sofie von Otter - Monteverdi : Vespro della Beata Vergine - Ave maris stella a 8 de Robson - Monteverdi : Vespro della Beata Vergine - Magnificat I a 7 de Monoyios - Motet: "Auf dem Gebirge hat man ein Geschrei gehöret" (SWV 396) de Valerie Botwright - No.26 Air: "Thou shalt bring them" de English Baroque Soloists - Nulla sperar da me...E tu, Poppea...Tuo ben è 'l trono...Sotto il lauro ch'hai sul crine de Brown - O Athamas, what toture hast thou borne! de English Chamber Orchestra - O quam tristis et afflicta de Jorg Waschinski - Omnes amici eius spreverunt eam de John Mark Ainsley - Otton, qual portentoso fulmine de English Baroque Soloists - Pur al fin se ne andò de Brown - Pur ch'io ti stringa al sen de English Baroque Soloists - Purcell : Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Come, ye sons of art, away de The English Concert - Purcell : Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Sound the trumpet, sound de Pinnock - Purcell : Come, ye sons of art, away (1694) Ode for the Birthday of Queen Mary II - Strike the viol, touch the lute de The English Concert - Purcell : Of old, when heroes thought it base (1690) The Yorkshire Feast Song - "Of old, when heroes thought it base" - "Brigantium, honour'd with a race divine" de George - Purcell : Of old, when heroes thought it base (1690) The Yorkshire Feast Song - And now when the renown'd Nassau de John Mark Ainsley - Purcell : Of old, when heroes thought it base (1690) The Yorkshire Feast Song - Sound, trumpets, sound! de The English Concert - Purcell : Of old, when heroes thought it base (1690) The Yorkshire Feast Song - The pale and the purple rose de The English Concert - Purcell : Sound the trumpet, sound (Ode for the Birthday of Queen Mary II) de Pinnock - Purcell : Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Here the deities approve" - "While joys celestial" de Amps - Purcell : Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - "Then lift up your voices" - "The pow'r shall divert us a pleasanter way" de George - Purcell : Welcome to all the pleasures (1683) Ode for St. Cecilia's Day - Welcome to all the pleasures de John Mark Ainsley - Quae moerebat et dolebat de Jorg Waschinski - Quando corpus morietur de Jorg Waschinski - Quis est homo qui non fleret de Jorg Waschinski - Quomodo reputati sunt in vasa testea de John Mark Ainsley - Samech. Plauserunt super te manibus de John Mark Ainsley - Sancta Mater, istud agas de Jorg Waschinski - Sederunt in terra de John Mark Ainsley - See she blushing turns her eyes de English Chamber Orchestra - Sharp violins proclaim de Holman - She weeps! de English Chamber Orchestra - Signor, quanto il mio core de Brown - Stabat mater dolorosa de Jorg Waschinski - Tacerò, tacerò de English Baroque Soloists - Teth. Bonus est Dominus sperantibus in eum de John Mark Ainsley - Teth. Defixae sunt in terra portae eius de John Mark Ainsley - The battle done, the loud alarms do cease de Holman - The glorious day is come, that will for ever be de Wistreich - The soft complaining flute de Holman - The spheres, those instruments divine de Cornwell - The trumpet?s loud clangor de Wistreich - This that blest king and god-like prophet knew de Suzie Le Blanc - Thy aid, pronubial Juno, Athamas implores! de Battle - Ti vo' giusta e non pietosa de English Baroque Soloists - Too well I see, thou wilt not understand me de Horne - Vaghe fonti...Ottone traditore! de Brown - Vau. Et egressus est a filia Sion de John Mark Ainsley - Vidit suum dulcem natum de Jorg Waschinski - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 1. "Nisi Dominus" (Allegro) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 2. "Vanum est vobis" (Largo) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 3. "Surgite" (Presto) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 4. "Cum dederit" (Andante) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 5. "Sicut sagittae" (Allegro) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 6. "Beatus vir" (Andante) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 7. "Gloria Patri" (Larghetto) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 8. "Sicut erat in principio" (Allegro) de Pinnock - Vivaldi : Nisi Dominus (Psalm 126), R.608 - 9. "Amen" (Allegro) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 1. "Salve Regina" (Andante) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 2. "Ad te clamamus" (Allegro) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 3. "Ad te suspiramus" (Larghetto) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 4. "Eja ergo" (Allegro) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 5. "Et Jesum" (Andante molto) de Pinnock - Vivaldi : Salve Regina, R.616 (Antiphona) - 6. "O clemens" (Andante) de Pinnock - Vivaldi : Stabat Mater, R.621 - 1. "Stabat Mater" (Largo) de Pinnock - Vivaldi : Stabat Mater, R.621 - 2. "Cuius animam" (Adagissimo) de Pinnock - Vivaldi : Stabat Mater, R.621 - 3. "O quam tristis" (Andante) de Pinnock - Vivaldi : Stabat Mater, R.621 - 4. "Quis est homo" (Largo) de Pinnock - Vivaldi : Stabat Mater, R.621 - 5. "Quis non posset" (Adagissimo) de Pinnock - Vivaldi : Stabat Mater, R.621 - 6. "Pro peccatis" (Andante) de Pinnock - Vivaldi : Stabat Mater, R.621 - 7. "Eja Mater" (Largo) de Pinnock - Vivaldi : Stabat Mater, R.621 - 8. "Fac ut ardeat" (Lento) de Pinnock - Vivaldi : Stabat Mater, R.621 - 9. "Amen" (Allegro) de Pinnock - Voi che udite il mio lamento de English Baroque Soloists - What passion cannot Musick raise and quell! de Holman - When Nature underneath a heap de Suzie Le Blanc - Why dost thou thus untimely grieve? de Horne - Yod de John Mark Ainsley - Yod. Dabit percutienti se maxillam de John Mark Ainsley - Yod. Sedebit solitarius, et tacebit de John Mark Ainsley - You've undone me / With my life I would atone de Horne - Your tuneful voice my tale would tell de English Chamber Orchestra - Zain. Recordata est Jerusalem de John Mark Ainsley