Cet artiste a participé aux oeuvres des artistes suivants : - "Medea", 1. Akt: Ah! Colco! Pensier fatal! (Glauce, Giasone, Creonte) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Ah! Gia troppo turbò (Creonte) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Che? Quando già corona Amor (Ancelle, Chor, Glauce) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Dei tuoi figli la madre (Medea) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Nemici senza cor (Medea, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: No, non temer (Creonte, Glauce, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: O Amore, vieni a me! (Glauce) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: O bella Glauce (Chor, Glauce) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Or che più non vedrò (Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Pronube dive (Creonte, Chor, Glauce, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Qui tremar devi tu (Creonte, Glauce, Chor) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Signor! Ferma una donna (Chor, Medea, Giasone, Glauce) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Son vane qui minacce (Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 1. Akt: Taci, Giasone (Medea, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Ah! Triste canto!... Dio dell'Amor! (Medea, Chor, Creonte, Glauce, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Creonte a me solo un giorno dà? (Medea, Neris, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Date almen per pietà (Medea, Creonte, Neris, Chor) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Figli miei, miei tesor (Medea, Giasone) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Hai dato pronto ascolto (Medea, Neris) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Introduzione de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Medea, o Medea! de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Soffrir non posso (Medea, Neris, Creonte) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 2. Akt: Solo un pianto con te versare (Neris) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 3. Akt: Del fiero duol che il cor mi frange (Medea) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 3. Akt: E che? Io son Medea (Medea, Chor, Giasone, Neris) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 3. Akt: Introduzione de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 3. Akt: Neris, che hai fatto (Medea, Neris) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea", 3. Akt: Numi, venite a me (Medea, Neris) de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Medea": Preludio de Maria Callas, Fedora Barbieri, Maria Luisa Nache, Gino Penno, Giuseppe Modesti, Enrico Campi, Angela Vercelli, Maria Amadini, Coro e Orchestra alla Scala di Milano & Leonard Bernstein - "Pomp and Circumstance," Op.39: March, No.2 in A minor de BBC SYMPHONY ORCHESTRA - 1. - Im alten Marschtempo (Allegro Moderato) de New York Philharmonic Orchestra - 1. - Immer das gleiche Tempo de New York Philharmonic Orchestra - 1. - Immer dasselbe Tempo. (Marsch.) Nicht eilen de New York Philharmonic Orchestra - 1. - Tempo I de New York Philharmonic Orchestra - 1. - Zeit lassen de New York Philharmonic Orchestra - 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso de New York Philharmonic Orchestra - 1. Allegretto de Chicago Symphony Orchestra - 1. Allegretto - Allegro non troppo de Chicago Symphony Orchestra - 1. Andante - Allegro con anima de New York Philharmonic Orchestra - 1. Kräftig. Entscheiden de New York Philharmonic Orchestra - 1600 Pennsylvania Avenue : Take care of this House de Sumi Jo,Susan Graham, James Conlon And Gürzenich-Orchester Kölner Philharmoniker - 2. - A tempo. (Wie im Anfang) de New York Philharmonic Orchestra - 2. - Ganz ploetzlich gemaechlich. Tempo di Menuetto de New York Philharmonic Orchestra - 2. - L'istesso tempo de New York Philharmonic Orchestra - 2. Allegro - Meno mosso - Allegro - Meno mosso de Chicago Symphony Orchestra - 2. Allegro con grazia de New York Philharmonic Orchestra - 2. Andante cantabile, con alcuna licenza - Moderato con anima de New York Philharmonic Orchestra - 2. Moderato (poco allegretto) de Chicago Symphony Orchestra - 2. Tempo di minuetto. Sehr mäßig de New York Philharmonic Orchestra - 3. Adagio de Chicago Symphony Orchestra - 3. Allegro molto vivace de New York Philharmonic Orchestra - 3. Comodo. Scherzando. Ohne Hast de New York Philharmonic Orchestra - 3. Lento - Largo - [Lento] (attacca:) de Chicago Symphony Orchestra - 3. Valse (Allegro moderato) de New York Philharmonic Orchestra - 3.- Etwas zurueckhaltend de New York Philharmonic Orchestra - 3.- Schnell und schmetternd wie eine Fanfare - Tempo I. Mit geheimnisvoller Hast de New York Philharmonic Orchestra - 3.- Wieder sehr gemaechlich, beinahe langsam de New York Philharmonic Orchestra - 3.- Wieder sehr gemaechlich, wie zu Anfang de New York Philharmonic Orchestra - 4. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto de Chicago Symphony Orchestra - 4. Allegro non troppo de Chicago Symphony Orchestra - 4. Finale (Andante maestoso - Allegro vivace) de New York Philharmonic Orchestra - 4. Finale: Adagio lamentoso - Andante de New York Philharmonic Orchestra - 4. Sehr langsam. Misterioso ppp - "O Mensch! Gib acht" de Ludwig - 4.- Più mosso subito de New York Philharmonic Orchestra - 6. Langsam. Ruhevoll. Empfunden de New York Philharmonic Orchestra - 6.- Langsam. Tempo I de New York Philharmonic Orchestra - 6.- Nicht mehr so breit de New York Philharmonic Orchestra - 6.- Tempo I de New York Philharmonic Orchestra - 6.- Tempo I. Ruhevoll de New York Philharmonic Orchestra - A Quiet Girl de Brubeck - Aaron Copland - Danzón Cubano de New York Philharmonic - Aaron Copland - El Salón Mexico de New York Philharmonic - Adagio de Symphonieorchester des Bayerischen Rundfunks - Adagio for Strings, Op.11 de Los Angeles Philharmonic - Alleluia de Mauceri - America de Los Machucambos - American Festival Overture de Los Angeles Philharmonic - Andante non tanto quasi Moderato - Allegro giusto - Moderato assai de New York Philharmonic Orchestra - Arcana: Arcana (1927 de The New York Philharmonic Orchestra - Auto-da-Fe (What a Day): Parts I-III de Mauceri - Barber : Adagio for Strings, Op.11 de Los Angeles Philharmonic - Beethoven : "King Stephen or Hungary's First Benefactor", Op.117 - Andante con moto - Presto de Wiener Philharmoniker - Beethoven : Fidelio op.72 - Overture de Wiener Philharmoniker - Beethoven : Fidelio op.72 / Act 1 - "Abscheulicher! Wo eilst du hin?" de Janowitz - Beethoven : Fidelio op.72 / Act 1 - "Gut Söhnchen, gut" de Jungwirth - Beethoven : Fidelio op.72 / Act 1 - "Ha! Welch ein Augenblick!" de Sotin - Beethoven : Fidelio op.72 / Act 1 - "Hat man nicht auch Gold beineben" de Jungwirth - Beethoven : Fidelio op.72 / Act 1 - "Jetzt, Alter, jetzt hat es Eile!" de Sotin - Beethoven : Fidelio op.72 / Act 1 - "Jetzt, Schätzchen, jetzt sind wir allein" de Dallapozza - Beethoven : Fidelio op.72 / Act 1 - "Leb wohl, du warmes Sonnenlicht" de Jungwirth - Beethoven : Fidelio op.72 / Act 1 - "Mir ist so wunderbar" de Popp - Beethoven : Fidelio op.72 / Act 1 - "Nun sprecht, wie .."-"Ach Vater, eilt"-"Verwegner .." de Jungwirth - Beethoven : Fidelio op.72 / Act 1 - "O welche Lust, in freier Luft den Atem leicht zu heben!" de Chor Der Wiener Staatsoper - Beethoven : Fidelio op.72 / Act 1 - "O wär ich schon mit dir vereint" de Popp - Beethoven : Fidelio op.72 / Act 1 - Marsch de Wiener Philharmoniker - Beethoven : Fidelio op.72 / Act 2 - "Er sterbe! Doch er soll erst wissen" - "Vater Rocco! Der Herr Minister ist angekommen" - "Es schlägt der Rache Stunde" de Sotin - Beethoven : Fidelio op.72 / Act 2 - "Euch werde Lohn in bessern Welten" de Kollo - Beethoven : Fidelio op.72 / Act 2 - "Gott! Welch Dunkel hier! - In des Lebens Frühlingstagen" de Kollo - Beethoven : Fidelio op.72 / Act 2 - "Heil sei dem Tag" de Fischer-Dieskau - Beethoven : Fidelio op.72 / Act 2 - "O namenlose Freude" de Janowitz - Beethoven : Fidelio op.72 / Act 2 - "Wie kalt ist es in diesem unterirdischen Gewölbe" - "Nur hurtig fort, nur frisch gegraben" de Jungwirth - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Agnus Dei de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Dona nobis pacem de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Agnus Dei: Presto de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Credo: Amen de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Credo: Credo in unum Deum de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Credo: Et ascendit in coelum de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Credo: Et incarnatus est de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Credo: Et vitam venturi saeculi de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Gloria: Amen - Quoniam tu solus sanctus de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Gloria: Gloria in excelsis Deo de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Gloria: In gloria Dei Patris, Amen de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Gloria: Qui tollis peccata mundi de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Gloria: Quoniam tu solus sanctus de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Kyrie: Christe eleison de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Kyrie: Kyrie eleison de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Sanctus: Benedictus de Moser - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Sanctus: Pleni sunt coeli de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Sanctus: Praeludium de Bartelink - Beethoven : Mass in D, Op.123 "Missa Solemnis" - Sanctus: Sanctus Dominus Deus Sabaoth de Moser - Beethoven : Music to Goethe's Tragedy "Egmont" op.84 - Ouverture - Sostenuto, ma non troppo - Allegro de Wiener Philharmoniker - Beethoven : Overture "Coriolan", Op.62 de Wiener Philharmoniker - Beethoven : Overture "Leonore No.3", Op. 72a de Wiener Philharmoniker - Beethoven : Piano Concerto No.3 in C minor, Op.37 - 1. Allegro con brio de Krystian Zimerman - Beethoven : Piano Concerto No.3 in C minor, Op.37 - 2. Largo de Krystian Zimerman - Beethoven : Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro) de Krystian Zimerman - Beethoven : Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato de Krystian Zimerman - Beethoven : Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato - Cadenza: Ludwig van Beethoven de Arrau - Beethoven : Piano Concerto No.4 in G, Op.58 - 2. Andante con moto de Arrau - Beethoven : Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace) de Krystian Zimerman - Beethoven : Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace) - Cadenza: Ludwig van Beethoven de Arrau - Beethoven : Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 1. Allegro de Krystian Zimerman - Beethoven : Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 2. Adagio un poco mosso de Krystian Zimerman - Beethoven : Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 3. Rondo (Allegro) de Krystian Zimerman - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 1. Adagio, ma non troppo e molto espressivo de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 2. Allegretto de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 3. Allegro moderato - attacca: de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 4. Andante, ma non troppo e molto cantabile - de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 5. Presto - Molto poco adagio -attacca: de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 6. Adagio quasi un poco andante - attacca: de Wiener Philharmoniker - Beethoven : String Quartet No.14 in C sharp minor, Op.131 - Version for String Orchestra by Dimitri Mitropoulos - 7. Allegro de Wiener Philharmoniker - Beethoven : String Quartet No.16 in F, Op.135 - Version for String Orchestra - 1. Allegretto de Wiener Philharmoniker - Beethoven : String Quartet No.16 in F, Op.135 - Version for String Orchestra - 2. Vivace de Wiener Philharmoniker - Beethoven : String Quartet No.16 in F, Op.135 - Version for String Orchestra - 3. Lento assai, cantante e tranquillo de Wiener Philharmoniker - Beethoven : String Quartet No.16 in F, Op.135 - Version for String Orchestra - 4. Der schwer gefaßte Entschluß (Grave - Allegro - Grave ma non troppo tratto - Allegro) de Wiener Philharmoniker - Beethoven : Symphony No.1 in C, Op.21 - 1. Adagio molto - Allegro con brio de Wiener Philharmoniker - Beethoven : Symphony No.1 in C, Op.21 - 2. Andante cantabile con moto de Wiener Philharmoniker - Beethoven : Symphony No.1 in C, Op.21 - 3. Menuetto (Allegro molto e vivace) de Wiener Philharmoniker - Beethoven : Symphony No.1 in C, Op.21 - 4. Finale (Adagio - Allegro molto e vivace) de Wiener Philharmoniker - Beethoven : Symphony No.2 in D, Op.36 - 1. Adagio molto - Allegro con brio de Wiener Philharmoniker - Beethoven : Symphony No.2 in D, Op.36 - 2. Larghetto de Wiener Philharmoniker - Beethoven : Symphony No.2 in D, Op.36 - 3. Scherzo (Allegro) de Wiener Philharmoniker - Beethoven : Symphony No.2 in D, Op.36 - 4. Allegro molto de Wiener Philharmoniker - Beethoven : Symphony No.3 in E flat, Op.55 -"Eroica" - 1. Allegro con brio de Wiener Philharmoniker - Beethoven : Symphony No.3 in E flat, Op.55 -"Eroica" - 2. Marcia funebre (Adagio assai) de Wiener Philharmoniker - Beethoven : Symphony No.3 in E flat, Op.55 -"Eroica" - 3. Scherzo (Allegro vivace) de New York Stadium Symphony Orchestra - Beethoven : Symphony No.3 in E flat, Op.55 -"Eroica" - 4. Finale (Allegro molto) de Wiener Philharmoniker - Beethoven : Symphony No.4 in B flat, Op.60 - 1. Adagio - Allegro vivace de Wiener Philharmoniker - Beethoven : Symphony No.4 in B flat, Op.60 - 2. Adagio de Wiener Philharmoniker - Beethoven : Symphony No.4 in B flat, Op.60 - 3. Allegro vivace de Wiener Philharmoniker - Beethoven : Symphony No.4 in B flat, Op.60 - 4. Allegro ma non troppo de Wiener Philharmoniker - Beethoven : Symphony No.5 in C minor, Op.67 - 1. Allegro con brio de Symphonieorchester des Bayerischen Rundfunks - Beethoven : Symphony No.5 in C minor, Op.67 - 2. Andante con moto de Wiener Philharmoniker - Beethoven : Symphony No.5 in C minor, Op.67 - 3. Allegro de Wiener Philharmoniker - Beethoven : Symphony No.5 in C minor, Op.67 - 4. Allegro de Wiener Philharmoniker - Beethoven : Symphony No.6 in F, Op.68 -"Pastoral" - 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo de Wiener Philharmoniker - Beethoven : Symphony No.6 in F, Op.68 -"Pastoral" - 2. Szene am Bach: (Andante molto mosso) de Wiener Philharmoniker - Beethoven : Symphony No.6 in F, Op.68 -"Pastoral" - 3. Lustiges Zusammensein der Landleute (Allegro) de Wiener Philharmoniker - Beethoven : Symphony No.6 in F, Op.68 -"Pastoral" - 4. Gewitter, Sturm (Allegro) de Wiener Philharmoniker - Beethoven : Symphony No.6 in F, Op.68 -"Pastoral" - 5. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm: Allegretto de Wiener Philharmoniker - Beethoven : Symphony No.7 in A, Op.92 - 1. Poco sostenuto - Vivace de Wiener Philharmoniker - Beethoven : Symphony No.7 in A, Op.92 - 2. Allegretto de Wiener Philharmoniker - Beethoven : Symphony No.7 in A, Op.92 - 3. Presto - Assai meno presto de Wiener Philharmoniker - Beethoven : Symphony No.7 in A, Op.92 - 4. Allegro con brio de Wiener Philharmoniker - Beethoven : Symphony No.8 in F, Op.93 - 1. Allegro vivace e con brio de Wiener Philharmoniker - Beethoven : Symphony No.8 in F, Op.93 - 2. Allegretto scherzando de Wiener Philharmoniker - Beethoven : Symphony No.8 in F, Op.93 - 3. Tempo di menuetto de Wiener Philharmoniker - Beethoven : Symphony No.8 in F, Op.93 - 4. Allegro vivace de Wiener Philharmoniker - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" - 1. Allegro ma non troppo, un poco maestoso de Wiener Philharmoniker - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" - 2. Molto vivace de Wiener Philharmoniker - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" - 3. Adagio molto e cantabile de Symphonieorchester des Bayerischen Rundfunks - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - de Wiener Philharmoniker - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" - 4. Presto - Allegro assai de Anderson - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" / 4. - 4. Finale (Ausschnitt) de Wiener Philharmoniker - Beethoven : Symphony No.9 in D minor, Op.125 - "Choral" / 4. - Presto- "O Freunde, nicht diese Töne!" -Allegro assai de Jones - Beethoven : The Creatures of Prometheus, Op.43 - Overtura. Adagio - Allegro molto con brio de Wiener Philharmoniker - Best Of West Side Story de Saxofourte - Billy the Kid de Copland - Bizet : Carmen - Entracte (between Act I & II) de Metropolitan Opera Orchestra - Bizet : Carmen - Overture (Prelude) de Metropolitan Opera Orchestra - Bizet : Carmen / Act 1 - "L'amour est un oiseau rebelle" (Havanaise) de Horne - Bizet : Carmen / Act 1 - "Monsieur le brigadier?" - "Parle-moi de ma mère!" (Micaela, Don José / Don José, Micaela) de Maliponte - Bizet : Carmen / Act 1 - "Voyons, brigadier..." - "Tra la la la..." (Zuniga, Don José, Carmen / Carmen, Zuniga, Les Cigarières, Un Soldat, Don José) de Horne - Bizet : Carmen / Act 1 - Attends un peu maintenant de McCracken - Bizet : Carmen / Act 1 - Au secours! (Les Cigarières, Zuniga, Les Soldats) de Gramm - Bizet : Carmen / Act 1 - Avec la garde montante (Choeur des Gamins) de Gibbs - Bizet : Carmen / Act 1 - Carmen, sur tes pas, nous nous pressons tous (Les Jeunes Gens, Les Cigarières, Don José) de The Manhattan Opera Chorus - Bizet : Carmen / Act 1 - Chanson et Duo: "Près des remparts de Séville" de Horne - Bizet : Carmen / Act 1 - Dites-moi, brigadier? (Zuniga, Don José) de Gramm - Bizet : Carmen / Act 1 - Final: "Le lieutenant! Prenez garde..." de McCracken - Bizet : Carmen / Act 1 - La cloche a sonné (Les Jeunes Gens, Les Soldats, Les Cigarières) de McCracken - Bizet : Carmen / Act 1 - Mais nous ne voyons pas la Carmencita (Les Soldats, Les Jeunes Gens) de Horne - Bizet : Carmen / Act 1 - Marche et Choeur des gamins: "Avec la garde montante" de Gibbs - Bizet : Carmen / Act 1 - Sur la place, chacun passe (Les Soldats, Moralès) de Gibbs - Bizet : Carmen / Act 2 - "Amoureuse... ce n'est pas une raison" - "Halte-là! Qui va là?" (Dancaire,Remendado,Frasquita,Mercédès, Carmen/Don José,Mercédès,Frasquita,Dancaire,Carmen) de Christopher - Bizet : Carmen / Act 2 - Choeur et Ensemble: "Vivat! vivat le Toréro!" de Gramm - Bizet : Carmen / Act 2 - Couplets: "Votre toast, je peux vous le rendre" de Krause - Bizet : Carmen / Act 2 - Dis-moi ton nom de Krause - Bizet : Carmen / Act 2 - Duo: "Je vais danser en votre honneur" de Horne - Bizet : Carmen / Act 2 - Eh bien, vite, quelles nouvelles? de Boky - Bizet : Carmen / Act 2 - Entr'acte de Metropolitan Opera Orchestra - Bizet : Carmen / Act 2 - Holà! Carmen! Holà! (Zuniga, Don José, Carmen, Dancaire, Remendado, Les Bohémiens) de Gramm - Bizet : Carmen / Act 2 - La fleur que tu m'avais jetée de McCracken - Bizet : Carmen / Act 2 - Les tringles des sistres tintaient (Carmen, Mercédès, Frasquita) de Horne - Bizet : Carmen / Act 2 - Mon Dieu, messieurs, il commence à se faire tard de Christopher - Bizet : Carmen / Act 2 - Non, tu ne m'aimes pas! de Horne - Bizet : Carmen / Act 2 - Quintette: "Nous avons en tête une affaire!" de Christopher - Bizet : Carmen / Act 2 - Toréador, en garde de The Manhattan Opera Chorus - Bizet : Carmen / Act 3 - "Je suis Escamillo" de Krause - Bizet : Carmen / Act 3 - Carreau! Pique! ...La Mort! de Horne - Bizet : Carmen / Act 3 - Écoute, compagnon, écoute! (les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaire, Remendado) de Boky - Bizet : Carmen / Act 3 - Entr'acte de Metropolitan Opera Orchestra - Bizet : Carmen / Act 3 - Final: "Holà! holà! José!" de Horne - Bizet : Carmen / Act 3 - Holà, les belles! de Christopher - Bizet : Carmen / Act 3 - Je dis que rien ne m'épouvante (Micaela) de Maliponte - Bizet : Carmen / Act 3 - Moi? Je viens te chercher de Maliponte - Bizet : Carmen / Act 3 - Parlez encore, parlez de Boky - Bizet : Carmen / Act 3 - Quant au douanier, c'est notre affaire! (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaire, Remendado) de Boky - Bizet : Carmen / Act 3 - Trio: "Mêlons! Coupons!" de Boky - Bizet : Carmen / Act 3 - Voyons, Carmen ... faisons la paix de McCracken - Bizet : Carmen / Act 4 - A deux cuartos! de The Manhattan Opera Chorus - Bizet : Carmen / Act 4 - C'est toi! - C'est moi! de Horne - Bizet : Carmen / Act 4 - Carmen, un bon conseil de Boky - Bizet : Carmen / Act 4 - Carmen, un bon conseil / C'est toi? / C'est moi! de Boky - Bizet : Carmen / Act 4 - Les voici, les voici de The Manhattan Opera Chorus - Bizet : Carmen / Act 4 - Si tu m'aimes, Carmen de Krause - Bloch : Schelomo - Lento moderato - Andante moderato - Allegro moderato - Allegro - Andante moderato de Mischa Maisky - Boïto : Mefistofele - original version / Prologue - Ave, Signor degli angeli e dei santi! de Nicolai Ghiaurov - Boïto : Mefistofele - original version / Prologue - Preludio de Nicolai Ghiaurov - Boïto : Mefistofele - original version / Prologue - Salve Regina! de Nicolai Ghiaurov - Boïto : Mefistofele - original version / Prologue - Siam nimbi volanti dai limbi de Nicolai Ghiaurov - Boïto : Mefistofele - original version / Prologue - T'è noto Faust? de Nicolai Ghiaurov - Bon Voyage de New York City Opera Chorus and Orchestra - Brahms : Academic Festival Overture, Op.80 de Wiener Philharmoniker - Brahms : Concerto for Violin and Cello in A minor, Op.102 - 1. Allegro de Gidon Kremer - Brahms : Concerto for Violin and Cello in A minor, Op.102 - 2. Andante de Gidon Kremer - Brahms : Concerto for Violin and Cello in A minor, Op.102 - 3. Vivace non troppo - Poco meno allegro - Tempo I de Gidon Kremer - Brahms : Piano Concerto No.2 in B flat, Op.83 - 1. Allegro non troppo de Krystian Zimerman - Brahms : Piano Concerto No.2 in B flat, Op.83 - 2. Allegro appassionato de Krystian Zimerman - Brahms : Piano Concerto No.2 in B flat, Op.83 - 3. Andante - Più adagio de Krystian Zimerman - Brahms : Piano Concerto No.2 in B flat, Op.83 - 4. Allegretto grazioso - Un poco più presto de Krystian Zimerman - Brahms : Symphony No.1 in C minor, Op.68 - 1. Un poco sostenuto - Allegro - Meno allegro de Wiener Philharmoniker - Brahms : Symphony No.1 in C minor, Op.68 - 2. Andante sostenuto de Gerhart Hetzel - Brahms : Symphony No.1 in C minor, Op.68 - 3. Un poco allegretto e grazioso de Wiener Philharmoniker - Brahms : Symphony No.1 in C minor, Op.68 - 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro de Wiener Philharmoniker - Brahms : Symphony No.2 in D, Op.73 - 1. Allegro non troppo de Wiener Philharmoniker - Brahms : Symphony No.2 in D, Op.73 - 2. Adagio non troppo - L'istesso tempo, ma grazioso de Wiener Philharmoniker - Brahms : Symphony No.2 in D, Op.73 - 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai de Wiener Philharmoniker - Brahms : Symphony No.2 in D, Op.73 - 4. Allegro con spirito de Wiener Philharmoniker - Brahms : Symphony No.3 in F, Op.90 - 1. Allegro con brio - Un poco sostenuto - Tempo I de Wiener Philharmoniker - Brahms : Symphony No.3 in F, Op.90 - 2. Andante de Wiener Philharmoniker - Brahms : Symphony No.3 in F, Op.90 - 3. Poco allegretto de Wiener Philharmoniker - Brahms : Symphony No.3 in F, Op.90 - 4. Allegro de Wiener Philharmoniker - Brahms : Symphony No.4 in E minor, Op.98 - 1. Allegro non troppo de New York Stadium Symphony Orchestra - Brahms : Symphony No.4 in E minor, Op.98 - 2. Andante moderato de New York Stadium Symphony Orchestra - Brahms : Symphony No.4 in E minor, Op.98 - 3. Allegro giocoso - Poco meno presto - Tempo I de New York Stadium Symphony Orchestra - Brahms : Symphony No.4 in E minor, Op.98 - 4. Allegro energico e passionato - Più allegro de New York Stadium Symphony Orchestra - Brahms : Tragic Overture, Op.81 de Wiener Philharmoniker - Brahms : Variations on a Theme by Haydn, Op.56a de Wiener Philharmoniker - Brahms : Violin Concerto in D, Op.77 - 1. Allegro non troppo - Cadenza: Max Reger de Gidon Kremer - Brahms : Violin Concerto in D, Op.77 - 2. Adagio de Gidon Kremer - Brahms : Violin Concerto in D, Op.77 - 3. Allegro giocoso, ma non troppo vivace - Poco più presto de Gidon Kremer - Britten : Four Sea Interludes from "Peter Grimes", Op.33a - 1. Dawn de Boston Symphony Orchestra - Britten : Four Sea Interludes from "Peter Grimes", Op.33a - 2. Sunday Morning de Boston Symphony Orchestra - Britten : Four Sea Interludes from "Peter Grimes", Op.33a - 3. Moonlight de Boston Symphony Orchestra - Britten : Four Sea Interludes from "Peter Grimes", Op.33a - 4. Storm de Boston Symphony Orchestra - Camargo Mozart Guàrnieri - Dansa Brasileira de New York Philharmonic - Candide : Act I : scene 12 "Glitter and be Gay" (Cunégonde) de Sumi Jo, Paolo Olmi and Orchestre philharmonique de Monte-Carlo - Candide Begins His Travels de New York City Opera Chorus and Orchestra - Candide's Lament de Mauceri - Carlos Chávez - Sinfonía India de New York Philharmonic - Cello Concerto in A Minor, Op.129 (1987 - Remaster): II. - Etwas lebhafter - Schneller - de Mstislav Rostropovich/Leonard Bernstein/Orchestre National de France - Cello Concerto in A Minor, Op.129 (1987 - Remaster): III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller de Mstislav Rostropovich/Leonard Bernstein/Orchestre National de France - Central Park in the Dark de New York Philharmonic Orchestra - Changing States/ America/ Rondo de Lake & Palmer Emerson - Chico's Dream de Chico & Rita New York Band & Orchestra - Come Up to My Place - Concerto for Cello and Orchestra in A minor Op. 129 (1987 Digital Remaster): II. Langsam - Etwas lebhafter - Schneller - (1987 Digital Remaster) de Mstislav Rostropovich/Leonard Bernstein/Orchestre National de France - Concerto for Cello and Orchestra in A minor Op. 129 (1987 Digital Remaster): III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller (1987 Digital Remaster) de Mstislav Rostropovich/Leonard Bernstein/Orchestre National de France - Concerto for Cello and Orchestra in A minor, Op. 129 (1977 Digital Remaster): I. Nicht zu schnell - (1998 Digital Remaster) de Mstislav Rostropovich/Orchestre National de France/Leonard Bernstein - Concerto for Cello and Orchestra in A minor, Op. 129 (1977 Digital Remaster): II. Langsam - Etwas lebhafter - Schneller - (1998 Digital Remaster) de Mstislav Rostropovich/Orchestre National de France/Leonard Bernstein - Concerto for Cello and Orchestra in A minor, Op. 129 (1977 Digital Remaster): III. Sehr lebhaft - (Cadenza) - Im Tempo - Schneller (1998 Digital Remaster) de Mstislav Rostropovich/Orchestre National de France/Leonard Bernstein - Concerto For Piano & Orchestra No 1 in D Minor BWV 1052: I Allegro de Gould - Concerto For Piano & Orchestra No 1 in D Minor BWV 1052: II Adagio de Gould - Concerto For Piano & Orchestra No 1 in D Minor BWV 1052: III Allegro de Gould - Concerto For Piano & Orchestra No 2 In B Flat Major Op 19: I Allegro Con Brio de Gould - Concerto For Piano & Orchestra No 2 In B Flat Major Op 19: II Adagio de Gould - Concerto For Piano & Orchestra No 2 In B Flat Major Op 19: III Rondo - Molto Allegro de Gould - Concerto For Piano & Orchestra No 3 In C Minor Op 37: I Allegro Con Brio de Gould - Concerto For Piano & Orchestra No 3 In C Minor Op 37: II Largo de Gould - Concerto For Piano & Orchestra No 3 In C Minor Op 37: III Rondo - Allegro de Gould - Concerto for Piano and Orchestra in G Major: I. Allegramente - Andante a placere - Tempo primo de The Philharmonia Orchestra - Concerto for Piano and Orchestra in G Major: II. Adagio assai de The Philharmonia Orchestra - Concerto for Piano and Orchestra in G Major: III. Presto de The Philharmonia Orchestra - Concerto for Piano and Orchestra: I. Allegramente. Andante a piacere. Tempo primo de Ravel - Concerto in D Major, Op. 35: Allegro moderato de David Nadien, The New York Philharmonic, André Kostelanetz, Great Neck Symphony Orchestra, Sylvan Schulman, Leonard Bernstein - Concerto in D Major, Op. 35: Allegro vivacissimo de David Nadien, The New York Philharmonic, André Kostelanetz, Great Neck Symphony Orchestra, Sylvan Schulman, Leonard Bernstein - Concerto in D Major, Op. 35: Canzonetta-Andante de David Nadien, The New York Philharmonic, André Kostelanetz, Great Neck Symphony Orchestra, Sylvan Schulman, Leonard Bernstein - Connotations For Orchestra (1961-62): Intenso - Drammatico de New York Philharmonic Orchestra - Copland : Appalachian Spring - (Ballet for Martha) de Los Angeles Philharmonic - Copland : Concerto For Clarinet: Rather Fast de Drucker - Copland : Concerto For Clarinet: Slowly And Expressively de Drucker - Copland : El salón Mexicó de New York Philharmonic Orchestra - Copland : Music For The Theatre - 1. Prologue de New York Philharmonic Orchestra - Copland : Music For The Theatre - 2. Dance de New York Philharmonic Orchestra - Copland : Music For The Theatre - 3. Interlude de New York Philharmonic Orchestra - Copland : Music For The Theatre - 4. Burlesque de New York Philharmonic Orchestra - Copland : Music For The Theatre - 5. Epilogue de New York Philharmonic Orchestra - Copland : Quiet City for Cor Anglais, Trumpet and Strings de Smith - Copland : Symphony No.3 - 1. Molto moderato de New York Philharmonic Orchestra - Copland : Symphony No.3 - 2. Allegro molto de New York Philharmonic Orchestra - Copland : Symphony No.3 - 3. Andantino quasi allegretto de New York Philharmonic Orchestra - Copland : Symphony No.3 - 4. Molto deliberato (Fanfare); Allegro risoluto de New York Philharmonic Orchestra - Count On Me - d'Annibale : West Side Story - West Side Story - 'O paese d'o sole - Cielito lindo de Carreras - Debussy : Images for Orchestra - 1. Gigues de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : Images for Orchestra - 3. Rondes de printemps de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : Images for Orchestra / 2. Ibéria - 1. Par les rues et par les chemins de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : Images for Orchestra / 2. Ibéria - 2. Les parfums de la nuit de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : Images for Orchestra / 2. Ibéria - 3. Le matin d'un jour de fête de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : La Mer - 1. From Dawn till Noon on the Sea (De l'aube à midi sur la mer) de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : La Mer - 2. Play of the Waves (Jeux de vagues) de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : La Mer - 3. Dialogue of the Wind and the Sea (Dialogue du vent et de la mer) de Orchestra dell'Accademia Nazionale di Santa Cecilia - Debussy : Prélude à l'après-midi d'un faune de Orchestra dell'Accademia Nazionale di Santa Cecilia - Del Tredici : Tattoo (1986) - 1. Moderato Maestoso de New York Philharmonic Orchestra - Del Tredici : Tattoo (1986) - 2. Moderato Maestoso - Omaggio a Nicolò Paganini de New York Philharmonic Orchestra - Discussion de New York Philharmonic Orchestra - Dvorák : 8 Slavonic Dances, Op.46 - No.1 in C (Presto) de Israel Philharmonic Orchestra - Dvorák : 8 Slavonic Dances, Op.46 - No.3 in A flat (Poco allegro) de Israel Philharmonic Orchestra - Dvorák : 8 Slavonic Dances, Op.46 - No.8 in G minor (Presto) de Israel Philharmonic Orchestra - Dvorák : Cello Concerto in B minor, Op.104 - 1. Allegro de Mischa Maisky - Dvorák : Cello Concerto in B minor, Op.104 - 2. Adagio ma non troppo de Mischa Maisky - Dvorák : Cello Concerto in B minor, Op.104 - 3. Finale (Allegro moderato) de Mischa Maisky - Dvorák : Symphony No.9 in E minor, Op.95 "From the New World" - 1. Adagio - Allegro molto de Merrill Greenberg - Dvorák : Symphony No.9 in E minor, Op.95 "From the New World" - 2. Largo de Merrill Greenberg - Dvorák : Symphony No.9 in E minor, Op.95 "From the New World" - 3. Scherzo (Molto vivace) de Merrill Greenberg - Dvorák : Symphony No.9 in E minor, Op.95 "From the New World" - 4. Allegro con fuoco de Merrill Greenberg - Ein warmer Ofen, a Schalerl Kaffee de Leopoldi - El Salón México de New York Philharmonic - Eldorado de New York City Opera Chorus and Orchestra - Elgar : "Pomp and Circumstance," Op.39: March, No.1 in D de BBC SYMPHONY ORCHESTRA - Elgar : The Crown of India - March of the Mogul Emperors de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 1. C.A.E. (L'istesso tempo) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 10. Intermezzo: Dorabella (Allegretto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 11. G.R.S. (Allegro di molto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 12. B.G.N. (Andante) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 13. Romanza *** (Moderato) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 14. Finale: E.D.U. (Allegro - Presto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 2. H.D.S.-P. (Allegro) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 3. R.B.T. (Allegretto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 4. W.M.B. (Allegro di molto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 5. R.P.A. (Moderato) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 6. Ysobel (Andantino) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 7. Troyte (Presto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 8. W.N. (Allegretto) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - 9. Nimrod (Adagio) de BBC SYMPHONY ORCHESTRA - Elgar : Variations on an Original Theme, Op.36 "Enigma" - Theme (Andante) de BBC SYMPHONY ORCHESTRA - Entr'acte de Mauceri - Fanfare For The Common Man / America / Blue Rondo A La Turk de Emerson, Lake & Palmer - Fanfare/Life is Happiness Indeed de New York City Opera Chorus and Orchestra - Fascimile - A Choreographic Essay: I. Solo, II. Pas de deux, III. Pas de trois, IV. Coda de RCA Victor Orchestra - Film Festival de Slokar Trombone Quartet - Finale: Make Our Garden Grow de Mauceri - Ford Intro and Marriage of Figaro Overture Excerpt de New York Philharmonic Orchestra - Foss : Song of Songs - 1. Awake, O north wind de Sheri Greenawald - Foss : Song of Songs - 2. Come my beloved de Sheri Greenawald - Foss : Song of Songs - 3. By night on my bed de Sheri Greenawald - Foss : Song of Songs - 4. Set me as a seal de Sheri Greenawald - Franck : Symphony in D minor - 1. Lento - Allegro ma non troppo - Allegro de Orchestre National De France - Franck : Symphony in D minor - 2. Allegretto de Orchestre National De France - Franck : Symphony in D minor - 3. Allegro non troppo de Orchestre National De France - Gee, Officer Krupke de Roll - George Gershwin: A Portrait de Slokar Trombone Quartet - Glitter and be gay de Sumi Jo and Richard Bonynge - Gotta Dance - A Tribute to Jerome Robbins de Williams - Granada - America de Claudius Alzner und seine Solisten - Halil, Nocturne for Solo Flute, String Orchestra and Percussion de Jean-Pierre Rampal - Hamlet - Overture-Fantasy after Shakespeare, Op.67 de Israel Philharmonic Orchestra - Harold in Italy Op. 16 (1993 Digital Remaster): I. Adagio - Allegro me non troppo (Harold in the Mountains) (1993 Digital Remaster) de Donald McInnes/Orchestre National de France/Leonard Bernstein - Harold in Italy Op. 16 (1993 Digital Remaster): II. Allegretto (Procession of Pilgrims) (1993 Digital Remaster) de Donald McInnes/Orchestre National de France/Leonard Bernstein - Harold in Italy Op. 16 (1993 Digital Remaster): III. Allegro assai - Allegretto (Serenade) (1993 Digital Remaster) de Donald McInnes/Orchestre National de France/Leonard Bernstein - Harold in Italy Op. 16 (1993 Digital Remaster): IV. Allegro frenetico (Orgy of the Brigands) (1993 Digital Remaster) de Donald McInnes/Orchestre National de France/Leonard Bernstein - Hatikvah de NBC Symphony Orchestra - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 27.Rezitativ: "Aus Rosenwolken bricht" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 28.Duett mit Chor: "Von deiner Güt', o Herr und Gott"/ Gesegnet sei des Herren Macht (Eva, Adam) de Popp - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 29.Rezitativ: "Nun ist die erste Pflicht erfüllt" (Adam, Eva) de Ollmann - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 30.Duett: "Holde Gattin, dir zur Seite" (Adam, Eva) de Ollmann - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 31.Rezitativ: "O glücklich Paar, und glücklich immerfort" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Dritter Teil - 32.Chor: "Singt dem Herren alle Stimmen" de Symphonieorchester des Bayerischen Rundfunks - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 10.Rezitativ: "Und die himmlischen Heerscharen verkündigten" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 11.Chor: "Stimmt an die Saiten" de Symphonieorchester des Bayerischen Rundfunks - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 12.Rezitativ: "Und Gott sprach: Es sei'n Lichter an der Feste des Himmels" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 13.Rezitativ: "In vollem Glanze steiget jetzt" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 14.Chor und Terzett: "Die Himmel erzählen die Ehre Gottes" / "Dem kommenden Tage sagt es der Tag" de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 1a. Einleitung. Die Vorstellung des Chaos (Largo) de Symphonieorchester des Bayerischen Rundfunks - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 2.Rezitativ mit Chor: "Im Anfange schuf Gott Himmel und Erde" / "Und der Geist Gottes schwebte auf der Fläche der Wasser" (Raphael, Uriel) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 3.Arie mit Chor: "Nun schwanden vor dem heiligen Strahle" / "Verzweiflung, Wut und Schrecken" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 4.Rezitativ: "Und Gott machte das Firmament" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 5.Solo mit Chor: "Mit Staunen sieht das Wunderwerk" / "Und laut ertönt aus ihren Kehlen" (Gabriel) de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 6.Rezitativ: "Und Gott sprach: Es sammle sich das Wasser" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 7.Arie: "Rollend in schäumenden Wellen" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 8.Rezitativ: "Und Gott sprach: Es bringe die Erde Gras hervor" (Gabriel) de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Erster Teil - 9.Arie: "Nun beut die Flur das frische Grün" de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 15.Rezitativ: "Und Gott sprach: Es bringe das Wasser in der Fülle hervor" (Gabriel) de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 16.Arie: "Auf starkem Fittiche schwinget sich der Adler stolz" (Gabriel) de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 17.Rezitativ: "Und Gott schuf große Walfische" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 18.Rezitativ: "Und die Engel rührten ihr'unsterblichen Harfen" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 19.Terzett und Chor: "In holder Anmut stehn" / "Der Herr ist groß in seiner Macht" (Gabriel, Uriel, Raphael) de Blegen - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 20. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 21. Rezitativ: "Gleich öffnet sich der Erde Schoß" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 22. Arie: "Nun scheint in vollem Glanze der Himmel" (Raphael) de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 23. Rezitativ: "Und Gott schuf den Menschen" (Uriel) de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 24. Arie: Mit Würd' und Hoheit angetan de Moser - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 25. Rezitativ: Und Gott sah jedes Ding de Moll - Haydn : Die Schöpfung Hob. XXI:2 / Zweiter Teil - 26.Chor und Terzett: "Vollendet ist das große Werk" / Zu dir, o Herr, blickt alles auf de Blegen - Haydn : Missa in tempore belli "Paukenmesse" - Agnus Dei de Blegen - Haydn : Missa in tempore belli "Paukenmesse" - Benedictus de Blegen - Haydn : Missa in tempore belli "Paukenmesse" - Kyrie de Blegen - Haydn : Missa in tempore belli "Paukenmesse" - Sanctus de Blegen - Haydn : Missa in tempore belli "Paukenmesse" / Credo - Credo in unum Deum de Chor des Bayerischen Rundfunks - Haydn : Missa in tempore belli "Paukenmesse" / Credo - Et incarnatus est de Blegen - Haydn : Missa in tempore belli "Paukenmesse" / Credo - Et resurrexit tertia die de Blegen - Haydn : Missa in tempore belli "Paukenmesse" / Credo - Et vitam venturi saeculi. Amen de Blegen - Haydn : Missa in tempore belli "Paukenmesse" / Gloria - Gloria in excelsis Deo de Symphonieorchester des Bayerischen Rundfunks - Haydn : Missa in tempore belli "Paukenmesse" / Gloria - Qui tollis peccata mundi de Sotin - Haydn : Missa in tempore belli "Paukenmesse" / Gloria - Quoniam tu solus sanctus de Blegen - Haydn : Sinfonia concertante in B flat, H.I No.105 - 1. Allegro de Wiener Philharmoniker - Haydn : Sinfonia concertante in B flat, H.I No.105 - 2. Andante de Wiener Philharmoniker - Haydn : Sinfonia concertante in B flat, H.I No.105 - 3. Allegro con spirito de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.88 - 1. Adagio - Allegro de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.88 - 2. Largo de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.88 - 3. Menuetto (Allegretto) de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.88 - 4. Finale (Allegro con spirito) de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.92 - "Oxford" - 1. Adagio - Allegro spiritoso de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.92 - "Oxford" - 2. Adagio de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.92 - "Oxford" - 3. Menuet (Allegretto) de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.92 - "Oxford" - 4. Presto de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.94 - "Surprise" - 1. Adagio - Vivace assai de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.94 - "Surprise" - 2. Andante de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.94 - "Surprise" - 3. Menuet (Allegro molto) de Wiener Philharmoniker - Haydn : Symphony in G, H.I No.94 - "Surprise" - 4. Finale (Allegro di molto) de Wiener Philharmoniker - Heitor Villa-Lobos - Bachiana Brasileira No. 5 - I. Aria (Cantilena) - Adagio de New York Philharmonic - Heitor Villa-Lobos - Bachiana Brasileira No. 5 - II. Dansa (Martelo) - Allegretto de New York Philharmonic - I Believe/Somewhere (with Lauren Frost) de Streisand - I Can Cook Too (Album Version) de Austin - I Feel Pretty de Upshaw - Ich liebe dich, Op.37, No.2 de Caballé - Intro to Andante de New York Philharmonic Orchestra - Intro to Finale de New York Philharmonic Orchestra - It's Love de Ray Brown - Ives : A Set of Three Short Pieces for String Orchestra - Largo cantabile "Hymn" de New York Philharmonic Orchestra - Ives : Symphony No.2 - 1. Andante moderato de New York Philharmonic Orchestra - Ives : Symphony No.2 - 2. Allegro de New York Philharmonic Orchestra - Ives : Symphony No.2 - 3. Adagio cantabile de New York Philharmonic Orchestra - Ives : Symphony No.2 - 4. Lento maestoso de New York Philharmonic Orchestra - Ives : Symphony No.2 - 5. Allegro molto vivace de New York Philharmonic Orchestra - Ives : Three Outdoor Scenes - Hallowe'en de New York Philharmonic Orchestra - Konzert für Klavier und Orchester G-Dur: Adagio assai de Philharmonia Orchestra London / NBC Symphony Orchestra - Konzert für Klavier und Orchester G-Dur: Allagramente de Philharmonia Orchestra London / NBC Symphony Orchestra - Konzert für Klavier und Orchester G-Dur: Presto de Philharmonia Orchestra London / NBC Symphony Orchestra - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): A fosco cielo, a notte bruna (Elvino/Rodolfo/Teresa/Lisa/Coro) (2002 Digital Remaster) de Cesare Valletti/Giuseppe Modesti/Gabriella Carturan/Eugenia Ratti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Basta così. Ciascuno si attenga (Rodolfo/Teresa/Tutti/Elvino) (2002 Digital Remaster) de Giuseppe Modesti/Gabriella Carturan/Cesare Valletti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Care compagne (Amina/Coro) (2002 Digital Remaster) de Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Come noioso e lungo il cammin..Vi ravviso, o luoghi ameni...È gentil, leggiadra molto (Rodolfo/Li de Giuseppe Modesti/Eugenia Ratti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Come per me sereno....Sempre, o felice Amina (Amina/Tutti) (2002 Digital Remaster) de Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Contezza del paese (Elvino/Rodolfo/Teresa/Lisa/Coro) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Gabriella Carturan/Eugenia Ratti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Domani, appena aggiorni (Elvino/Tutti/Amina) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Elvino! E me tu lasci (Amina/Elvino) (2002 Digital Remaster) de Maria Callas/Cesare Valletti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Il più di tutti, o Amina (Alessio/Amina/Lisa/Teresa/Coro/Notaro) (2002 Digital Remaster) de Pierluigi Latinucci/Maria Callas/Eugenia Ratti/Gabriella Carturan/Giuseppe Nessi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): In Elvezia non v'ha rosa (Coro/Lisa/Alessio) (2002 Digital Remaster) de Eugenia Ratti/Pierluigi Latinucci/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Perdona, o mia diletta (Elvino/Amina/Tutti/Notaro) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Giuseppe Nessi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Prendi: l'anel ti dono (Elvino) (2002 Digital Remaster) de Cesare Valletti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Scritti nel ciel già sono...Ah! vorrei trovar parole (Tutti/Elvino/Amina/Lisa) (2002 Digital Rema de Cesare Valletti/Maria Callas/Eugenia Ratti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Son geloso del zefiro errante (Amina/Elvino) (2002 Digital Remaster) de Maria Callas/Cesare Valletti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Sovra il sen la man mi posa (Alessio/Amina/Lisa/Teresa/Coro/Notaro) (2002 Digital Remaster) de Pierluigi Latinucci/Maria Callas/Eugenia Ratti/Gabriella Carturan/Giuseppe Nessi/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Viva! Viva Amina!...tutto è gioia, tutto è festa (Coro/Lisa/Alessio) (2002 Digital Remaster) de Eugenia Ratti/Pierluigi Latinucci/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Che veggio? (Rodolfo/Amina/Lisa) (2002 Digital Remaster) de Giuseppe Modesti/Maria Callas/Eugenia Ratti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): D'un pensiero e d'un accento (Amina/Elvino/Coro/Alessio/Teresa) (2002 Digital Remaster) de Maria Callas/Cesare Valletti/Pierluigi Latinucci/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Davver, non mi dispiace (Rodolfo/Lisa) (2002 Digital Remaster) de Giuseppe Modesti/Eugenia Ratti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): È menzogna (Elvino/Coro/Lisa/Amina) (2002 Digital Remaster) de Cesare Valletti/Eugenia Ratti/Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Non più nozze (Elvino/Tutti/Amina/Lisa/Alessio/Coro/Teresa) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Eugenia Ratti/Pierluigi Latinucci/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): O ciel! che tento? (Rodolfo/Amina) (2002 Digital Remaster) de Giuseppe Modesti/Maria Callas/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 1 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Osservate: l'uscio è aperto (Coro) (2002 Digital Remaster) de Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Ah! perché non posso odiarti (Elvino/Teresa/Coro) (2002 Digital Remaster) de Cesare Valletti/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Qui la selva è più folta ed ombrosa (Coro) (2002 Digital Remaster) de Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Reggimi, o buona madre (Amina/Teresa) (2002 Digital Remaster) de Maria Callas/Gabriella Carturan/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Vedi, o madre....è afflitto e mesto (Amina/Elvino) (2002 Digital Remaster) de Maria Callas/Cesare Valletti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 1 (2002 Digital Remaster): Viva il Conte! (Voci lontane/Elvino/Amina/Teresa/Coro) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Ah! non credea mirarti (Amina/Elvino) (2002 Digital Remaster) de Maria Callas/Cesare Valletti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Ah! non giunge uman pensiero (Amina/Tutti) (2002 Digital Remaster) de Maria Callas/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): De'lieti auguri (2002 Digital Remaster) de Eugenia Ratti/Cesare Valletti/Giuseppe Modesti/Pierluigi Latinucci/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): E fia pur vero, Elvino (Lisa/Elvino/Rodolfo/Alessio/Tutti) (2002 Digital Remaster) de Eugenia Ratti/Cesare Valletti/Giuseppe Modesti/Pierluigi Latinucci/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Lasciami (2002 Digital Remaster) de Eugenia Ratti/Cesare Valletti/Giuseppe Modesti/Pierluigi Latinucci/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Lisa mendace (2002 Digital Remaster) de Cesare Valletti/Giuseppe Modesti/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): No, più non reggo (Elvino/Amina/Rodolfo/Coro) (2002 Digital Remaster) de Cesare Valletti/Maria Callas/Giuseppe Modesti/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Oh! se una volta sola (Amina/Rodolfo/Teresa/Tutti) (2002 Digital Remaster) de Maria Callas/Giuseppe Modesti/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Signor Conte, agli occhi miei (Elvino/Rodolfo/Coro/Lisa/Teresa) (2002 Digital Remaster) de Cesare Valletti/Giuseppe Modesti/Eugenia Ratti/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La Sonnambula (2002 Digital Remaster), Act 2 (2002 Digital Remaster), Scene 2 (2002 Digital Remaster): Signor?...che creder deggio? (Elvino/Rodolfo/Teresa/Coro) (2002 Digital Remaster) de Cesare Valletti/Giuseppe Modesti/Gabriella Carturan/Coro del Teatro alla Scala, Milano/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - La sonnambula : Son geloso del zefiro errante de Callas - La sonnambula: Act I, "A fosco vielo, a notte bruna" (Rodolfo, Amina, Teresa, Elvino, Chorus) de Callas - La sonnambula: Act I, "Basta così" (Rodolfo, Teresa, Elvino, Chorus) de Valletti - La sonnambula: Act I, "Care compagne, e voi" (Amina, Chorus) de Callas - La sonnambula: Act I, "Che veggio? saria forse" (Rodolfo, Amina, Lisa) de Callas - La sonnambula: Act I, "Come nel vostro cor" (Amino, Elvino, Chorus) de Callas - La sonnambula: Act I, "Come per me sereno" (Amina, Chorus) de Callas - La sonnambula: Act I, "Contezza del paese" (Lisa, Rodolfo, Teresa, Chorus) de Carturan - La sonnambula: Act I, "D'un pensiero e d'un accento" (Amina, Elvino, Teresa, Alessio, Chorus) de Callas - La sonnambula: Act I, "Davver, non mi dispiace" (Rodolfo, Lisa) de Modesti - La sonnambula: Act I, "Domani, appena aggiorni" (Elvino, Amina, Rodolfo, Lisa, Chorus) de Callas - La sonnambula: Act I, "È menzogna!" (Elvina, Amina, Chorus) de Callas - La sonnambula: Act I, "Elvino! e me tu lasci" (Amina, Elvino) de Callas - La sonnambula: Act I, "In elvezia non v'ha rosa" (Chorus) de Chorus of Teatro alla Scala di Milano - La sonnambula: Act I, "Io più di tutti, o Amina" (Alessio, Amina, Lisa, Teresa, Notaio, Chorus) de Callas - La sonnambula: Act I, "Ma fra voi, ...tu non sai" (Rodolfo, Chorus) de Modesti - La sonnambula: Act I, "Non più nozze; al nuovo amante" (Elvino, Amina, Lisa, Alessio, Teresa, Chorus) de Callas - La sonnambula: Act I, "Oh ciel!...Che tento?" (Rodolfo, Amina) de Callas - La sonnambula: Act I, "Osservate: L'uscio è aperto" (Chorus) de Chorus of Teatro alla Scala di Milano - La sonnambula: Act I, "Perdona, o mia diletta" (Elvino, Amina, Chorus) de Callas - La sonnambula: Act I, "Prendi: l'anel ti dono" (Elvino, Amina, Chorus) de Callas - La sonnambula: Act I, "Son geloso del zefiro errante" (Elvino, Amina) de Callas - La sonnambula: Act I, "Sovra il sen la man mi posa" (Amina, Chorus) de Callas - La sonnambula: Act I, "Tutto è gioia, tutto è festa..." (Lisa, Alessio, Chorus) de Ratti - La sonnambula: Act I, "Vi ravviso, o luoghi ameni" (Rodolfo, Chorus) de Modesti - La sonnambula: Act I, "Viva Amina!" (Chorus) de Chorus of Teatro alla Scala di Milano - La Sonnambula: Act I, Part One de Orchestra and Chorus of La Scala, Milan - La Sonnambula: Act I, Part Two de Orchestra and Chorus of La Scala, Milan - La Sonnambula: Act II de Orchestra and Chorus of La Scala, Milan - La sonnambula: Act II, "Ah! non giunge" (Amina, Chorus) de Callas - La sonnambula: Act II, "Ah! perchè non posso odiarti" (Elvino, Amina, Teresa) de Callas - La sonnambula: Act II, "Ah, non credea mirarti" (Amina, Elvino, Rodolfo) de Callas - La sonnambula: Act II, "De' lieti auguri a voi son grata" (Lisa, Chorus) de Ratti - La sonnambula: Act II, "E fia pur vero, Elvino" (Lisa, Elvino, Rodolfo, Alessio, Chorus) de Valletti - La sonnambula: Act II, "Lasciami: Aver compreso" (Lisa, Alessio, Chorus) de Ratti - La sonnambula: Act II, "Lisa! mendace anch'essa!" (Elvino, Lisa, Teresa, Rodolfo) de Callas - La sonnambula: Act II, "No, più non reggo" (Elvino, Amina, Rodolfo, Chorus) de Callas - La sonnambula: Act II, "Oh! se una volta sola" (Amina, Rodolfo, Teresa, Elvino) de Callas - La sonnambula: Act II, "Piano, amici: Non gridate" (Teresa, Lisa, Elvino, Rodolfo, Chorus) de Valletti - La sonnambula: Act II, "Qui la selva è più folta ed ombrosa" (Chorus) de Chorus of Teatro alla Scala di Milano - La sonnambula: Act II, "Reggimi, o buona madre" (Amina, Teresa) de Callas - La sonnambula: Act II, "Signor conte, agli occhi miei" (Elvino, Rodolfo, Lisa, Chorus) de Valletti - La sonnambula: Act II, "Signor? ...che creder deggio?" (Elvino, Rodolfo, Chorus) de Valletti - La sonnambula: Act II, "Vedi, o madre...è afflitto e mesto..." (Amina, Elvino) de Callas - La sonnambula: Act II, "Viva il conte!" (Elvino, Amina, Teresa, Chorus) de Callas - Le Rouet d'Omphale, Op.31 de Orchestre National De France - Leonard Bernstein: West Side Story de Slokar Trombone Quartet - Liszt : A Faust Symphony, S.108 - 1. Faust de Boston Symphony Orchestra - Liszt : A Faust Symphony, S.108 - 2. Gretchen de Boston Symphony Orchestra - Liszt : A Faust Symphony, S.108 - 3. Mephistopheles and Final Chorus (Text: Goethe) de Riegel - Lonely Town - Lonely Town (from "On The Town") de Ramey - Lonely Town (LP Version) de Connor - Mahler : Das Lied von der Erde - 1. Das Trinklied vom Jammer der Erde de James - Mahler : Das Lied von der Erde - 2. Der Einsame im Herbst de Fischer-Dieskau - Mahler : Das Lied von der Erde - 3. Von der Jugend de James - Mahler : Das Lied von der Erde - 4. Von der Schönheit de Fischer-Dieskau - Mahler : Das Lied von der Erde - 5. Der Trunkene im Frühling de James - Mahler : Das Lied von der Erde - 6. Der Abschied de Fischer-Dieskau - Mahler : Kindertotenlieder - In diesem Wetter de Hampson - Mahler : Kindertotenlieder - Nun seh' ich wohl, warum so dunkle Flammen de Hampson - Mahler : Kindertotenlieder - Nun will die Sonn' so hell aufgeh'n de Hampson - Mahler : Kindertotenlieder - Oft denk' ich, sie sind nur ausgegangen de Hampson - Mahler : Kindertotenlieder - Wenn dein Mütterlein de Hampson - Mahler : Lieder eines fahrenden Gesellen - Die zwei blauen Augen von meinem Schatz de Hampson - Mahler : Lieder eines fahrenden Gesellen - Ging heut' morgen übers Feld de Hampson - Mahler : Lieder eines fahrenden Gesellen - Ich hab' ein glühend Messer de Hampson - Mahler : Lieder eines fahrenden Gesellen - Wenn mein Schatz Hochzeit macht de Hampson - Mahler : Rückert-Lieder - Blicke mir nicht in die Lieder de Hampson - Mahler : Rückert-Lieder - Ich atmet' einen linden Duft de Hampson - Mahler : Rückert-Lieder - Ich bin der Welt abhanden gekommen de Hampson - Mahler : Rückert-Lieder - Liebst du um Schönheit de Hampson - Mahler : Rückert-Lieder - Um Mitternacht de Hampson - Mahler : Songs from "Des Knaben Wunderhorn" - Das irdische Leben de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Der Schildwache Nachtlied de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Der Tamboursg'sell de Schmidt - Mahler : Songs from "Des Knaben Wunderhorn" - Des Antonius von Padua Fischpredigt de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Lied des Verfolgten im Turm de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Lob des hohen Verstandes de Schmidt - Mahler : Songs from "Des Knaben Wunderhorn" - Revelge de Schmidt - Mahler : Songs from "Des Knaben Wunderhorn" - Rheinlegendchen de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Trost im Unglück de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Urlicht de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Verlor'ne Müh de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Wer hat dies Liedlein erdacht? de Popp - Mahler : Songs from "Des Knaben Wunderhorn" - Wo die schönen Trompeten blasen de Popp - Mahler : Symphony No.1 in D - 1. Langsam. Schleppend de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.1 in D - 2. Kräftig bewegt de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.1 in D - 3. Feierlich und gemessen, ohne zu schleppen de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.1 in D - 4. Stürmisch bewegt de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.10 in F sharp (unfinished) - Andante - Adagio de Wiener Philharmoniker - Mahler : Symphony No.2 in C minor - "Resurrection" - 1: Allegro maestoso (Totenfeier) de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" - 2: Andante moderato de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" - 3: (Scherzo) de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" - 5: Im Tempo des Scherzo de Hendricks - Mahler : Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Mit durchaus ernstem und feierlichem Ausdruck de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Schnell de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Sehr mäßig und zurückhaltend de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Tempo I de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier) - Tempo sostenuto de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato - Energisch bewegt de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato - In Tempo I zurückkehren de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato - Nicht eilen. Sehr gemächlich de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato - Sehr gemächlich de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 2nd Movement - Andante moderato - Wieder ins Tempo zurückgehen. TempoI de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 3: (Scherzo) - In ruhiger fließender Bewegung de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 3: (Scherzo) - Sehr getragen und gesangvoll de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 3: (Scherzo) - Zum Tempo I zurückkehren de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 4: "Urlicht" - Sehr feierlich, aber schlicht - "O Röslein rot" de Ludwig - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Am Anfang sehr zurückgehalten de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Etwas bewegter - "O glaube, mein Herz, o glaube" de Hendricks - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Im Tempo des Scherzos de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Langsam de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Langsam ppp. Nicht schleppen - "Wieder aufzublühn wirst du gesät" de Hendricks - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät" de Hendricks - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Mit Aufschwung, aber nicht eilen - "O Schmerz, du Alldurchdringer" de Hendricks - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Molto ritenuto. Maestoso de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Sehr langsam und gedehnt de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Wieder sehr breit de New York Philharmonic Orchestra - Mahler : Symphony No.2 in C minor - "Resurrection" / 5: Im Tempo des Scherzo - Wieder zurückhaltend de New York Philharmonic Orchestra - Mahler : Symphony No.3 in D minor / Part 1 - 1. Kräftig. Entscheiden de New York Philharmonic Orchestra - Mahler : Symphony No.3 in D minor / Part 2 - 2. Tempo di minuetto. Sehr mäßig de New York Philharmonic Orchestra - Mahler : Symphony No.3 in D minor / Part 2 - 3. Comodo. Scherzando. Ohne Hast de New York Philharmonic Orchestra - Mahler : Symphony No.3 in D minor / Part 2 - 4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht' de Ludwig - Mahler : Symphony No.3 in D minor / Part 2 - 5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel" de Ludwig - Mahler : Symphony No.3 in D minor / Part 2 - 6. Langsam. Ruhevoll. Empfunden de New York Philharmonic Orchestra - Mahler : Symphony No.4 in G - 1. Bedächtig. Nicht eilen - Recht gemächlich de Jaap van Zweden - Mahler : Symphony No.4 in G - 2. In gemächlicher Bewegung. Ohne Hast de Jaap van Zweden - Mahler : Symphony No.4 in G - 3. Ruhevoll (Poco adagio) de Jaap van Zweden - Mahler : Symphony No.4 in G - 4. Sehr behaglich: "Wir genießen die himmlischen Freuden" de Wittek - Mahler : Symphony No.5 in C sharp minor - 1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I) de Wiener Philharmoniker - Mahler : Symphony No.5 in C sharp minor - 2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito de Wiener Philharmoniker - Mahler : Symphony No.5 in C sharp minor - 3. Scherzo (Kräftig, nicht zu schnell) de Pfeiffer - Mahler : Symphony No.5 in C sharp minor - 4. Adagietto (Sehr langsam) de Wiener Philharmoniker - Mahler : Symphony No.5 in C sharp minor - 5. Rondo-Finale (Allegro) de Wiener Philharmoniker - Mahler : Symphony No.6 in A minor - 1. Allegro energico, ma non troppo. Heftig aber Markig de Wiener Philharmoniker - Mahler : Symphony No.6 in A minor - 2. Scherzo (Wuchtig) de Wiener Philharmoniker - Mahler : Symphony No.6 in A minor - 3. Andante moderato de Wiener Philharmoniker - Mahler : Symphony No.6 in A minor - 4. Finale (Allegro moderato) de Wiener Philharmoniker - Mahler : Symphony No.7 in E minor - 1. Langsam (Adagio) de New York Philharmonic Orchestra - Mahler : Symphony No.7 in E minor - 2. Nachtmusik (Allegro moderato) de New York Philharmonic Orchestra - Mahler : Symphony No.7 in E minor - 3. Scherzo de New York Philharmonic Orchestra - Mahler : Symphony No.7 in E minor - 4. Nachtmusik (Andante amoroso) de New York Philharmonic Orchestra - Mahler : Symphony No.7 in E minor - 5. Rondo - Finale (Allegro ordinario - Allegro moderato ma energico) de New York Philharmonic Orchestra - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Accende lumen sensibus" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Gloria sit Patri Domino" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Imple superna gratia" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Infirma nostri corporis" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - "Veni creator spiritus" de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - Tempo I. (Allegro, etwas hastig) de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part One: Hymnus "Veni creator spiritus" - Veni, creator spiritus de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Alles Vergängliche" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Bei der Liebe" - "Bei dem Bronn" - Bei dem hochgeweihten Orte" de Margaret - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Blicket auf zum Retterblick" de Riegel - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Dir, der Unberührbaren" - "Du schwebst zu Höhen" de Blegen - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Er überwächst uns schon" de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Ewiger Wonnebrand" de Prey - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Gerettet ist das edle Glied" - "Hände verschlinget" de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Höchste Herrscherin der Welt" de Riegel - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Ich spür' soeben" - "Freudig empfangen wir" - "Hier ist die Aussicht frei" de Riegel - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Jene Rosen, aus den Händen" de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Komm! hebe dich zu höhern Sphären" de Gerti Zeumer - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Neige, neige, du Ohnegleiche" de Blegen - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Uns bleibt ein Erdenrest" de Trudeliese Schmidt - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Waldung, sie schwankt heran" de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - "Wie Felsenabgrund mir zu Füßen" de José van Dam - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - Più mosso (Allegro moderato) de Scholz - Mahler : Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust" - Poco adagio de Scholz - Mahler : Symphony No.9 in D - 1. Andante comodo de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.9 in D - 1. Satz de Berliner Philharmoniker - Mahler : Symphony No.9 in D - 2. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb - de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.9 in D - 2. Satz de Berliner Philharmoniker - Mahler : Symphony No.9 in D - 3. Rondo. Burleske (Allegro assai. Sehr trotzig - de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.9 in D - 3. Satz de Berliner Philharmoniker - Mahler : Symphony No.9 in D - 4. Adagio (Sehr langsam) de Concertgebouw Orchestra of Amsterdam - Mahler : Symphony No.9 in D - 4. Satz de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Andante comodo de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Bewegter de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Etwas frischer de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Leidenschaftlich de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Ploetzlich bedeutend langsamer (Lento) und leise de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Tempo I. subito de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - Wie von Anfang de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - [without indication - bar 242] de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 1. Satz - [without indication - bar 317] de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - A tempo II de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Im Tempo eines gemaechlichen Laendlers.Etwas taeppisch und sehr derb de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Poco più mosso subito (Tempo II) de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Tempo I de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Tempo I. subito de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Tempo II de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 2. Satz - Tempo III de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - L'istesso tempo de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - Più stretto de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - Rondo-Burleske. Allegro assai. Sehr trotzig. de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - Sempre l'istesso tempo de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - Tempo I subito de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - [without indication - bar 347] de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 3. Satz - [without indication - bar 444] de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - a tempo (Molto adagio) de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Adagio. Sehr langsam und noch zurueckhaltend de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Adagissimo de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Fliessender, doch durchaus nicht eilend de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Molto adagio subito de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Ploetzlich wieder sehr langsam (wie zu Anfang) und etwas zoegernd de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Stets sehr gehalten de Berliner Philharmoniker - Mahler : Symphony No.9 in D / 4. Satz - Tempo I. Molto adagio de Berliner Philharmoniker - Make Our Garden Grow, from Candide de The United States Air Force Singing Sergeants - Maria de Sandoval - Maria ("West Side Story") de McKellar - Medea (2002 Digital Remaster), Act I, Scene 1: .Nemici senza cor (Medea/Giasone) de Gino Penno/Maria Callas/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Ah, già troppo turbò (Creonte) de Giuseppe Modesti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Che? Quando già corona Amor (Ancelle/Coro/Glauce) de Maria Luisa Nache/Angela Vercelli/Maria Amadini/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Colco! Pensier fatal! (Glauce/Giasone/Creonte) de Maria Luisa Nache/Gino Penno/Giuseppe Modesti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Dei tuoi figli la madre (Medea) de Maria Callas/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: No, non temer (Creonte/Glauce/Giasone) de Maria Luisa Nache/Gino Penno/Giuseppe Modesti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: O Amore, vieni a me! (Glauce) de Maria Luisa Nache/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: O bella Glauce de Maria Luisa Nache/Gino Penno/Giuseppe Modesti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Or che più non vedrò (Giasone) de Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Pronube dive (Creonte/Coro/Glauce/Giasone) de Giuseppe Modesti/Maria Luisa Nache/Gino Penno/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Qui tremar devi tu (Creonte/Glauce/Coro) de Giuseppe Modesti/Maria Luisa Nache/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Signor! Ferma una donna (Capo delle guardie/Creonte/Medea/Giasone/Glauce/Coro) de Enrico Campi/Giuseppe Modesti/Maria Callas/Gino Penno/Maria Luisa Nache/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Son vane qui minacce (Giasone) de Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act I, Scene 1: Taci, Giason (Medea/Giasone) de Maria Callas/Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Ah! Triste canto!...Dio dell'Amor! (Medea/Coro/Creonte/Glauce/Giasone) de Maria Callas/Giuseppe Modesti/Maria Luisa Nache/Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Creonte a me solo un giorno dà? (Medea/Neris/Giasone) de Maria Callas/Fedora Barbieri/Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Date almen per pietà (Medea/Creonte/Neris/Coro) de Maria Callas/Giuseppe Modesti/Fedora Barbieri/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Figli miei, miei tesor (Medea/Giasone) de Maria Callas/Gino Penno/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Hai dato pronto ascolto (Medea/Neris) de Maria Callas/Fedora Barbieri/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Introduzione (Orchestra) de Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Medea, o Medea! (Neris) de Fedora Barbieri/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Soffrir non posso (Medea/Neris/Creonte) de Maria Callas/Fedora Barbieri/Giuseppe Modesti/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act II: Solo un pianto con te versare (Neris) de Fedora Barbieri/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act III: Del fiero duol che il cor mi frange (Medea) de Maria Callas/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act III: E che? Io son Medea! (Medea/Coro/Giasone/Neris) de Maria Callas/Gino Penno/Fedora Barbieri/Coro del Teatro alla Scala, Milano/Vittore Veneziani/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act III: Introduzione (Orchestra) de Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act III: Neris, che hai fatto (Medea/Neris) de Maria Callas/Fedora Barbieri/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster), Act III: Numi, venite a me (Medea/Neris) de Maria Callas/Fedora Barbieri/Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea (2002 Digital Remaster): Sinfonia (Orchestra) de Orchestra del Teatro alla Scala, Milano/Leonard Bernstein - Medea: Act I - Ah, gia troppo turbo de Callas - Medea: Act I - Che? Quando gia corona Amor de Callas - Medea: Act I - Colco! Pensier fatal! de Callas - Medea: Act I - Dei tuoi figli la madre de Callas - Medea: Act I - Nemici senza cor de Callas - Medea: Act I - No, non temer de Callas - Medea: Act I - O Amore, vieni a me! de Callas - Medea: Act I - O bella Glauce de Callas - Medea: Act I - Or che piu non vedro de Callas - Medea: Act I - Pronube dive de Callas - Medea: Act I - Qui tremar devi tu de Callas - Medea: Act I - Signor! Ferma una donna de Callas - Medea: Act I - Son vane qui minacce de Callas - Medea: Act I - Taci, Giason de Callas - Medea: Act II - Ah! Triste canto!... Dio dell'Amor! - Medea, Coro, Creonte, Glauce, Giasone de Callas - Medea: Act II - Creonte a me solo un giorno da? - Medea, Neris, Giasone de Callas - Medea: Act II - Date almen per pieta - Medea, Creonte, Neris, de Callas - Medea: Act II - Figli miei, miei tesor - Medea, Giasone de Callas - Medea: Act II - Hai dato pronto ascolto - Medea, Neris de Callas - Medea: Act II - Medea, o Medea! de Callas - Medea: Act II - Soffrir non posso - Medea, Neris, de Callas - Medea: Act II - Solo un pianto con te versare - Neris de Callas - Medea: Act III - Del fiero duol che il cor mi frange - Medea de Callas - Medea: Act III - E che? lo son Medea! - Medea, Coro, Giasone, Neris de Callas - Medea: Act III - Introduzione de Callas - Medea: Act III - Neris, che hai fatto - Medea, Neris - Medea de Callas - Medea: Act III - Numi, venite a me - Medea, Neris de Callas - Medea: Sinfonia de Callas - Médée: Act I de Callas - Médée: Act II de Callas - Médée: Act III de Callas - Mendelssohn : Symphony No.3 in A minor, Op.56 - "Scottish" - 1. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.3 in A minor, Op.56 - "Scottish" - 2. Vivace non troppo de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.3 in A minor, Op.56 - "Scottish" - 3. Adagio de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.3 in A minor, Op.56 - "Scottish" - 4. Allegro vivacissimo - Allegro maestoso assai de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.4 in A, Op.90 - "Italian" - 1. Allegro vivace de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.4 in A, Op.90 - "Italian" - 2. Andante con moto de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.4 in A, Op.90 - "Italian" - 3. Con moto moderato de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.4 in A, Op.90 - "Italian" - 4. Saltarello (Presto) de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.5 in D minor, Op.107 - "Reformation" - 1. Andante - Allegro con fuoco de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.5 in D minor, Op.107 - "Reformation" - 2. Allegro vivace de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.5 in D minor, Op.107 - "Reformation" - 3. Andante de Israel Philharmonic Orchestra - Mendelssohn : Symphony No.5 in D minor, Op.107 - "Reformation" - 4. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) de Israel Philharmonic Orchestra - Mendelssohn : The Hebrides, Op.26 (Fingal's Cave) - Allegro moderato de Israel Philharmonic Orchestra - Messiah, HWV56: Part One de The New York Philharmonic - Messiah, HWV56: Part Two de The New York Philharmonic - Messiah: Hallelujah ! de Various Artists - Mozart : Ave verum corpus, K.618 - Adagio de Symphonieorchester des Bayerischen Rundfunks - Mozart : Clarinet Concerto in A, K.622 - 1. Allegro de Schmidl - Mozart : Clarinet Concerto in A, K.622 - 2. Adagio de Schmidl - Mozart : Clarinet Concerto in A, K.622 - 3. Rondo (Allegro) de Schmidl - Mozart : Exsultate, jubilate, K.165 - Exsultate, jubilate - Fulget amica dies - Tu virginum corona - Alleluja de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Benedictus de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Credo: Credo in unum Deum de Symphonieorchester des Bayerischen Rundfunks - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Credo: Et incarnatus est de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Cum Sanctu Spiritu de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Domine Deus de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Gloria in excelsis Deo de Symphonieorchester des Bayerischen Rundfunks - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Gratias agimus tibi de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Jesu Christe de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Laudamus te de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Qui tollis peccata mundi de Symphonieorchester des Bayerischen Rundfunks - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Gloria: Quoniam to solus de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Kyrie de Auger - Mozart : Mass in C minor, K.427 "Grosse Messe" - Version by Franz Beyer - Sanctus: Sanctus/Osanna de Symphonieorchester des Bayerischen Rundfunks - Mozart : Piano Concerto No.17 in G, K.453 - 3. Allegretto de Wiener Philharmoniker - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Agnus Dei de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Benedictus de McLaughlin - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Confutatis (Sequenz) de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Dies irae (Sequenz) de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Domine Jesu (Offertorium) de McLaughlin - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Hostias (Offertorium) de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Kyrie de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Lacrimosa (Sequenz) de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Lux aeterna (Communio) de McLaughlin - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Recordare (Sequenz) de McLaughlin - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Requiem (Introitus) de McLaughlin - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Rex tremendae (Sequenz) de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Sanctus de Symphonieorchester des Bayerischen Rundfunks - Mozart : Requiem in D minor, K.626 - Instr. Franz Beyer (Ed. Kunzelmann) - Tuba mirum (Sequenz) de McLaughlin - Mozart : Symphony No.25 in G Minor, K. 173dB (K.183) USE KV183/y25 - Allegro de Wiener Philharmoniker - Mozart : Symphony No.25 in G Minor, K. 173dB (K.183) USE KV183/y25 - Allegro con brio de Wiener Philharmoniker - Mozart : Symphony No.25 in G Minor, K. 173dB (K.183) USE KV183/y25 - Andante de Wiener Philharmoniker - Mozart : Symphony No.25 in G Minor, K. 173dB (K.183) USE KV183/y25 - Menuetto & Trio de Wiener Philharmoniker - Mozart : Symphony No.29 in A Major K.186a (K. 201) - Allegro con spirito de Wiener Philharmoniker - Mozart : Symphony No.29 in A Major K.186a (K. 201) - Allegro moderato de Wiener Philharmoniker - Mozart : Symphony No.29 in A Major K.186a (K. 201) - Andante de Wiener Philharmoniker - Mozart : Symphony No.29 in A Major K.186a (K. 201) - Menuet & Trio de Wiener Philharmoniker - Mozart : Symphony No.35 in D, K.385 "Haffner" - 1. Allegro con spirito de Wiener Philharmoniker - Mozart : Symphony No.35 in D, K.385 "Haffner" - 2. Andante de Wiener Philharmoniker - Mozart : Symphony No.35 in D, K.385 "Haffner" - 3. Menuetto de Wiener Philharmoniker - Mozart : Symphony No.35 in D, K.385 "Haffner" - 4. Finale (Presto) de Wiener Philharmoniker - Mozart : Symphony No.36 in C, K.425 - "Linz" - 1. Adagio - Allegro spiritoso de Wiener Philharmoniker - Mozart : Symphony No.36 in C, K.425 - "Linz" - 2. Andante de Wiener Philharmoniker - Mozart : Symphony No.36 in C, K.425 - "Linz" - 3. Menuetto de Wiener Philharmoniker - Mozart : Symphony No.36 in C, K.425 - "Linz" - 4. Finale (Presto) de Wiener Philharmoniker - Mozart : Symphony No.38 in D, K.504 "Prague" - 1. Adagio - Allegro de Wiener Philharmoniker - Mozart : Symphony No.38 in D, K.504 "Prague" - 2. Andante de Wiener Philharmoniker - Mozart : Symphony No.38 in D, K.504 "Prague" - 3. Finale (Presto) de Wiener Philharmoniker - Mozart : Symphony No.39 in E flat, K.543 - 1. Adagio - Allegro de Wiener Philharmoniker - Mozart : Symphony No.39 in E flat, K.543 - 2. Andante con moto de Wiener Philharmoniker - Mozart : Symphony No.39 in E flat, K.543 - 3. Menuetto (Allegretto) de Wiener Philharmoniker - Mozart : Symphony No.39 in E flat, K.543 - 4. Finale (Allegro) de Wiener Philharmoniker - Mozart : Symphony No.40 in G minor, K.550 - 1. Molto allegro de Wiener Philharmoniker - Mozart : Symphony No.40 in G minor, K.550 - 2. Andante de Wiener Philharmoniker - Mozart : Symphony No.40 in G minor, K.550 - 3. Menuetto (Allegretto) - Trio de Wiener Philharmoniker - Mozart : Symphony No.40 in G minor, K.550 - 4. Finale (Allegro assai) de Wiener Philharmoniker - Mozart : Symphony No.41 in C, K.551 - "Jupiter" - 1. Allegro vivace de Wiener Philharmoniker - Mozart : Symphony No.41 in C, K.551 - "Jupiter" - 2. Andante cantabile de Wiener Philharmoniker - Mozart : Symphony No.41 in C, K.551 - "Jupiter" - 3. Menuetto (Allegretto) de Wiener Philharmoniker - Mozart : Symphony No.41 in C, K.551 - "Jupiter" - 4. Molto allegro de Wiener Philharmoniker - Music for the Theatre: I. Prologue de Columbia Symphony Orchestra - Music for the Theatre: II. Dance de New York Philharmonic - Music for the Theatre: III. Interlude de Columbia Symphony Orchestra - Music for the Theatre: IV. Burlesque de New York Philharmonic - Music for the Theatre: V. Epilogue de New York Philharmonic - Music of America (Blow Gabriel Blow; America; God Bless America) de US Air Force Band of Mid-America 4 Star Brass - My New Friends de Upshaw - New York, New York - New York, New York [Full Length Version from On The Town, 1949] de Sinatra - New York, New York [LP Version] de Tormé - On the Town - One Hand One Heart From West Side Story de Zamora - Opening/You'll Never Know (with Lauren Frost, Alec Ledd & Randee Heller). de Streisand - Oscar Lorenzo Fernândez - Batuque de New York Philharmonic - Overture de Mauceri - Overture Candide de Los Angeles Philharmonic - Overture Of Overtures de Manilow - Pearl of the Persian Sea - Piano Concerto in D minor, BWV1052: II. Adagio de Gould - Piano Concerto in D minor, BWV1052: III. Allegro de Gould - Piano Concerto No. 17 - Andante de New York Philharmonic Orchestra - Piano Concerto No. 17 - Finale de New York Philharmonic Orchestra - Piano Concerto No. 2 in B-Flat Major, Op. 19: I. Allegro con brio de Gould - Piano Concerto No. 2 in B-Flat Major, Op. 19: II. Adagio de Gould - Piano Concerto No. 2 in B-Flat Major, Op. 19: III. Rondo - Molto Allegro de Gould - Piano Concerto No. 3 in D minor Op. 30 (2012 - Remaster): I. Allegro ma non tanto de Alexis Weissenberg/Orchestre National de France/Leonard Bernstein - Piano Concerto No. 3 in D minor Op. 30 (2012 - Remaster): II. Intermezzo (Adagio) de Alexis Weissenberg/Orchestre National de France/Leonard Bernstein - Piano Concerto No. 3 in D minor Op. 30 (2012 - Remaster): III. Finale (Alla breve) de Alexis Weissenberg/Orchestre National de France/Leonard Bernstein - Piano Concerto No.3 in D minor, Op.30: I. Allegro Moderato de Gould - Piano concerto No.3 in D minor, Op.30: III. Allegro ma non tanto (extract) de Alexis Weissenberg/Orchestre National de France/Leonard Bernstein - Piano Concerto No.4 in G major, Op.58: I. Allegro Moderato de Gould - Piano Concerto No.4 in G major, Op.58: II. Andante con moto de Gould - Piano Concerto No.4 in G major, Op.58: III. Rondo: Vivace de Gould - Prélude à l'après-midi d'un faune de Orchestra dell'Accademia Nazionale di Santa Cecilia - Puccini : La Bohème / Act 1 - "Abasso, abbasso l'autor!" de Plishka - Puccini : La Bohème / Act 1 - "Che gelida manina" de Hadley - Puccini : La Bohème / Act 1 - "Ehi! Rodolfo!" de James Busterud - Puccini : La Bohème / Act 1 - "Io resto" de Hadley - Puccini : La Bohème / Act 1 - "Non sono in vena" - "Si sente meglio?" (Rodolfo, Mimì) de Hadley - Puccini : La Bohème / Act 1 - "O soave fanciulla" de Hadley - Puccini : La Bohème / Act 1 - "Questo Mar Rosso" de Hampson - Puccini : La Bohème / Act 1 - "Si può" - "Chi è là?" de Plishka - Puccini : La Bohème / Act 1 - "Si sente meglio?" de Hadley - Puccini : La Bohème / Act 1 - "Sì. Mi chiamano Mimì" de Réaux - Puccini : La Bohème / Act 1 - Non sono in vena! de Hadley - Puccini : La Bohème / Act 1 - Pensier profondo" de Plishka - Puccini : La Bohème / Act 1 - Questo Mar Rosso mi ammollisce e assidera - Pensier profondo (Marcello, Rodolfo, Colline / Colline, Marcello, Rodolfo) de Hampson - Puccini : La Bohème / Act 2 - "Arranci, datteri!" de Plishka - Puccini : La Bohème / Act 2 - "Quando men vo" de Barbara Daniels - Puccini : La Bohème / Act 2 - Allegri e un toast! (Schaunard, Colline, Marcello, Mimì, Rodolfo, Coro, Alcindoro, Musetta) de Hadley - Puccini : La Bohème / Act 2 - Chi guardi? de Hadley - Puccini : La Bohème / Act 2 - Il conto?! (Rodolfo, Schaunard, Colline, Coro, Musetta, Marcello, Mimì) de Hadley - Puccini : La Bohème / Act 2 - Questa è Mimì (Rodolfo, Marcello, Schaunard, Colline, Parpignol, Coro, Mimì) de Hadley - Puccini : La Bohème / Act 2 - Viva Parpignol! de Hadley - Puccini : La Bohème / Act 3 - "Donde lieta uscì" de Réaux - Puccini : La Bohème / Act 3 - "Ehi, quel paniere!...Mimì" de Paul Kreider - Puccini : La Bohème / Act 3 - "Marcello. Finalmente!" de Réaux - Puccini : La Bohème / Act 3 - "Mimì è tanto malata!" de Hadley - Puccini : La Bohème / Act 3 - "Mimì è una civetta" de Hadley - Puccini : La Bohème / Act 3 - "Ohè là, le guardie! Aprite!" de Barbara Daniels - Puccini : La Bohème / Act 3 - Dunque è propio finita! de Hadley - Puccini : La Bohème / Act 3 - Mimì di serra è fiore (Rodolfo, Mimì, Marcello) de Hadley - Puccini : La Bohème / Act 3 - Mimì! - Speravo di trovarvi qui de Réaux - Puccini : La Bohème / Act 3 - Sa dirmi, scusi, qual'è l'osteria de Réaux - Puccini : La Bohème / Act 4 - "C'è Mimì..." de Barbara Daniels - Puccini : La Bohème / Act 4 - "Che ha detto il medico?" de Hadley - Puccini : La Bohème / Act 4 - "In un coupé?" de Hampson - Puccini : La Bohème / Act 4 - "Oh Dio! Mimì!" de Réaux - Puccini : La Bohème / Act 4 - "Vecchia zimarra, senti" de Plishka - Puccini : La Bohème / Act 4 - Che ora sia? (Rodolfo, Marcello, Schaunard, Colline) de Hadley - Puccini : La Bohème / Act 4 - Gavotta! - Minuetto! de Hadley - Puccini : La Bohème / Act 4 - O Mimì, tu più non torni de Hadley - Puccini : La Bohème / Act 4 - Sono andati? Fingevo di dormire de Réaux - R. Strauss : Caecilie, Op.27, No.2 de Caballé - R. Strauss : Morgen, Op.27, No.4 de Caballé - R. Strauss : Salome, Op.54 / Scene 4 - "Es ist kein Laut zu vernehmen" de Caballé - R. Strauss : Salome, Op.54 / Scene 4 - Salome's Dance of the Seven Veils de Orchestre National De France - R. Strauss : Wiegenlied, Op.41, No.1 de Caballé - R. Strauss : Zueignung, Op.10, No.1 de Caballé - Remember The Beatles de Slokar Trombone Quartet - Rodeo: I. Buckaroo Holiday - II. Corral Nocturne - III. Saturday Night Waltz - IV. Hoe-Down de Copland - Rorem : Violin Concerto (1984) - 1. Twilight: Free and Spacious - attacca de Gidon Kremer - Rorem : Violin Concerto (1984) - 2. Toccata-Chaconne: Very Fast de Gidon Kremer - Rorem : Violin Concerto (1984) - 3. Romance without Words: Hardly moving de Gidon Kremer - Rorem : Violin Concerto (1984) - 4. Midnight: Slow de Gidon Kremer - Rorem : Violin Concerto (1984) - 5. Toccata-Rondo: Very Fast de Gidon Kremer - Rorem : Violin Concerto (1984) - 6. Dawn: Wistful de Gidon Kremer - Saudades do Brasil Op. 67 (2006 Digital Remaster): IX. Sumaré de Orchestre National de France/Leonard Bernstein - Saudades do Brasil Op. 67 (2006 Digital Remaster): VII. Corcovado de Orchestre National de France/Leonard Bernstein - Saudades do Brasil Op. 67 (2006 Digital Remaster): VIII. Tijuca de Orchestre National de France/Leonard Bernstein - Saudades do Brasil Op. 67 (2006 Digital Remaster): XI. Laranjeiras de Orchestre National de France/Leonard Bernstein - Schelomo (1987 - Remaster) de Mstislav Rostropovich/Leonard Bernstein/Orchestre National de France - Schubert : Symphony No.5 in B flat, D.485 - 1. Allegro de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.5 in B flat, D.485 - 2. Andante con moto de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.5 in B flat, D.485 - 3. Menuetto (Allegro molto) de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.5 in B flat, D.485 - 4. Allegro vivace de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.8 in B minor, D.759 - "Unfinished" - 1. Allegro moderato de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.8 in B minor, D.759 - "Unfinished" - 2. Andante con moto de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.9 in C, D.944 - "The Great" - 1. Andante - Allegro ma non troppo de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.9 in C, D.944 - "The Great" - 2. Andante con moto de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.9 in C, D.944 - "The Great" - 3. Scherzo (Allegro vivace) de Concertgebouw Orchestra of Amsterdam - Schubert : Symphony No.9 in C, D.944 - "The Great" - 4. Allegro vivace de Concertgebouw Orchestra of Amsterdam - Schumann : Cello Concerto in A minor, Op.129 - 1. Nicht zu schnell de Mischa Maisky - Schumann : Cello Concerto in A minor, Op.129 - 2. Langsam de Mischa Maisky - Schumann : Cello Concerto in A minor, Op.129 - 3. Sehr lebhaft de Mischa Maisky - Schumann : Piano Concerto in A minor, Op.54 - 1. Allegro affettuoso de Frantz - Schumann : Piano Concerto in A minor, Op.54 - 2. Intermezzo (Andantino grazioso) de Frantz - Schumann : Piano Concerto in A minor, Op.54 - 3. Allegro vivace de Frantz - Schumann : Symphony No.1 in B flat, Op.38 - "Spring" - 1. Andante un poco maestoso - Allegro molto vivace de Wiener Philharmoniker - Schumann : Symphony No.1 in B flat, Op.38 - "Spring" - 2. Larghetto de Wiener Philharmoniker - Schumann : Symphony No.1 in B flat, Op.38 - "Spring" - 3. Scherzo (Molto vivace) de Wiener Philharmoniker - Schumann : Symphony No.1 in B flat, Op.38 - "Spring" - 4. Allegro animato e grazioso de Wiener Philharmoniker - Schumann : Symphony No.2 in C, Op.61 - 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco de New York Stadium Symphony Orchestra - Schumann : Symphony No.2 in C, Op.61 - 2. Scherzo (Allegro vivace) de New York Stadium Symphony Orchestra - Schumann : Symphony No.2 in C, Op.61 - 3. Adagio espresssivo de New York Stadium Symphony Orchestra - Schumann : Symphony No.2 in C, Op.61 - 4. Allegro molto vivace de New York Stadium Symphony Orchestra - Schumann : Symphony No.3 in E flat, Op.97 - "Rhenish" - 1. Lebhaft de Wiener Philharmoniker - Schumann : Symphony No.3 in E flat, Op.97 - "Rhenish" - 2. Scherzo (Sehr mäßig) de Wiener Philharmoniker - Schumann : Symphony No.3 in E flat, Op.97 - "Rhenish" - 3. Nicht schnell de Wiener Philharmoniker - Schumann : Symphony No.3 in E flat, Op.97 - "Rhenish" - 4. Feierlich de Wiener Philharmoniker - Schumann : Symphony No.3 in E flat, Op.97 - "Rhenish" - 5. Lebhaft de Wiener Philharmoniker - Schumann : Symphony No.4 in D minor, Op.120 - 1. Ziemlich langsam - Lebhaft de Wiener Philharmoniker - Schumann : Symphony No.4 in D minor, Op.120 - 2. Romanze (Ziemlich langsam) de Wiener Philharmoniker - Schumann : Symphony No.4 in D minor, Op.120 - 3. Scherzo de Wiener Philharmoniker - Schumann : Symphony No.4 in D minor, Op.120 - 4. Langsam - Lebhaft - Schneller - Presto de Wiener Philharmoniker - Sheep Song de Mauceri - Shostakovich : Symphony No.1, Op.10 - 1. Allegretto - Allegro non troppo de Chicago Symphony Orchestra - Shostakovich : Symphony No.1, Op.10 - 2. Allegro - Meno mosso - Allegro - Meno mosso de Chicago Symphony Orchestra - Shostakovich : Symphony No.1, Op.10 - 3. Lento - Largo - [Lento] (attacca:) de Chicago Symphony Orchestra - Shostakovich : Symphony No.1, Op.10 - 4. Allegro molto - Lento - Allegro molto - Meno mosso - Allegro molto - Molto meno mosso - Adagio - Largo - Più mosso - Presto de Chicago Symphony Orchestra - Shostakovich : Symphony No.6 in B minor, Op.54 - 1. Largo de Wiener Philharmoniker - Shostakovich : Symphony No.6 in B minor, Op.54 - 2. Allegro de Wiener Philharmoniker - Shostakovich : Symphony No.6 in B minor, Op.54 - 3. Presto de Wiener Philharmoniker - Shostakovich : Symphony No.7, Op.60 - "Leningrad" - 1. Allegretto de Chicago Symphony Orchestra - Shostakovich : Symphony No.7, Op.60 - "Leningrad" - 2. Moderato (poco allegretto) de Chicago Symphony Orchestra - Shostakovich : Symphony No.7, Op.60 - "Leningrad" - 3. Adagio de Chicago Symphony Orchestra - Shostakovich : Symphony No.7, Op.60 - "Leningrad" - 4. Allegro non troppo de Chicago Symphony Orchestra - Shostakovich : Symphony No.9 in E flat, Op.70 - 1. Allegro de Wiener Philharmoniker - Shostakovich : Symphony No.9 in E flat, Op.70 - 2. Moderato de Wiener Philharmoniker - Shostakovich : Symphony No.9 in E flat, Op.70 - 3. Presto - de Wiener Philharmoniker - Shostakovich : Symphony No.9 in E flat, Op.70 - 4. Largo - de Wiener Philharmoniker - Shostakovich : Symphony No.9 in E flat, Op.70 - 5. Allegretto de Wiener Philharmoniker - Sibelius : Symphony No.1 in E minor, Op.39 - 1. Andante, ma non troppo - Allegro energico de Wiener Philharmoniker - Sibelius : Symphony No.1 in E minor, Op.39 - 2. Andante (ma non troppo lento) de Wiener Philharmoniker - Sibelius : Symphony No.1 in E minor, Op.39 - 3. Scherzo (Allegro) de Wiener Philharmoniker - Sibelius : Symphony No.1 in E minor, Op.39 - 4. Finale (Quasi una fantasia) de Wiener Philharmoniker - Sibelius : Symphony No.2 in D, Op.43 - 1. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro de Wiener Philharmoniker - Sibelius : Symphony No.2 in D, Op.43 - 2. Tempo andante, ma rubato - Andante sostenuto de Wiener Philharmoniker - Sibelius : Symphony No.2 in D, Op.43 - 3. Vivacissimo - Lento e suave - Largamente de Wiener Philharmoniker - Sibelius : Symphony No.2 in D, Op.43 - 4. Finale (Allegro moderato) de Wiener Philharmoniker - Sibelius : Symphony No.5 in E flat, Op.82 - 1. Tempo molto moderato - Largamente - de Wiener Philharmoniker - Sibelius : Symphony No.5 in E flat, Op.82 - 2. Andante mosso, quasi allegretto de Wiener Philharmoniker - Sibelius : Symphony No.5 in E flat, Op.82 - 3. Allegro molto - Misterioso - Un pochettino largamente - Largamente assai de Wiener Philharmoniker - Sibelius : Symphony No.5 in E flat, Op.82 - Allegro moderato - Presto de Wiener Philharmoniker - Sibelius : Symphony No.7 in C, Op.105 - 2 bars before: Vivace - Presto - Poco a poco rallentando all' Adagio - Largamente molto - Affettuoso - Tempo I de Wiener Philharmoniker - Sibelius : Symphony No.7 in C, Op.105 - 5 bars before: Poco rallentando all' Adagio - Poco a poco meno lento all' de Wiener Philharmoniker - Sibelius : Symphony No.7 in C, Op.105 - Adagio - de Wiener Philharmoniker - Sibelius : Symphony No.7 in C, Op.105 - Allegro molto moderato - Poco a poco meno moderato - de Wiener Philharmoniker - Sibelius : Symphony No.7 in C, Op.105 - Un pochettino meno adagio - Poco a poco affrettando il tempo al Vivacissimo de Wiener Philharmoniker - Silvestre Revueltas - Sensemayá de New York Philharmonic - Sinfonia No.1 - No.15, BWV 787 - 801 : I. Allegro de Gould - Some Other Time de Towner - Some Other Time (LP Version) de Turner - Some Other Time (Previously Unreleased) de Delaria - Something's Coming de Ball - Something's Coming (with Lauren Frost) de Streisand - Somewhere de Brubeck - Somewhere (LP Version) de Franklin - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 1. Introduction de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 2. Les augures printaniers - Danses des adolescentes de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 3. Jeu du rapt de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 4. Rondes printanières de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 5. Jeux des cités de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 6. Cortège du sage - Le sage de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - 7. Danse de la terre de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 1: L'Adoration de la Terre - Adoration of the Earth de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 1. Introduction de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 2. Cercles mysteriéux des adolescentes de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 3. Glorification d'élue de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 4. Évocation des ancêtres de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 5. Action rituelle des ancêtres de Israel Philharmonic Orchestra - Stravinsky : Le Sacre du Printemps / Part 2: Le Sacrifice - 6. Danse sacrale: l'élue de Israel Philharmonic Orchestra - Stravinsky : Les Noces / Deuxième Partie - Quatrième Tableau: Le Repas de Noces de Anny Mory - Stravinsky : Les Noces / Première Partie - Deuxième Tableau: Chez le Marié de Anny Mory - Stravinsky : Les Noces / Première Partie - Premier Tableau: "La Tresse" de Anny Mory - Stravinsky : Les Noces / Première Partie - Troisième Tableau: Le Départ de la Mariée de Anny Mory - Stravinsky : Mass - Agnus Dei de Members of the English Bach Festival Orchestra - Stravinsky : Mass - Credo de Members of the English Bach Festival Orchestra - Stravinsky : Mass - Gloria de Members of the English Bach Festival Orchestra - Stravinsky : Mass - Kyrie de Members of the English Bach Festival Orchestra - Stravinsky : Mass - Sanctus de Members of the English Bach Festival Orchestra - Stravinsky : Petrouchka / Scene 1 - Russian Dance de Berman - Stravinsky : Petrouchka / Scene 1 - The Shrovetide Fair - The Crowds - The Conjuring-trick de Berman - Stravinsky : Petrouchka / Scene 2 - Petrouchka's Room de Berman - Stravinsky : Petrouchka / Scene 3 - The Moor's Room - Dance of the Ballerina de Berman - Stravinsky : Petrouchka / Scene 3 - Waltz (The Ballerina and the Moor) de Berman - Stravinsky : Petrouchka / Scene 4 - Apparition of Petrouchka's Ghost de Israel Philharmonic Orchestra - Stravinsky : Petrouchka / Scene 4 - Dance of the Coachmen and the Grooms de Berman - Stravinsky : Petrouchka / Scene 4 - Dance of the Peasant and the Bear de Berman - Stravinsky : Petrouchka / Scene 4 - Dance of the Wet-nurses de Berman - Stravinsky : Petrouchka / Scene 4 - Death of Petrouchka de Israel Philharmonic Orchestra - Stravinsky : Petrouchka / Scene 4 - The Masqueraders de Berman - Stravinsky : Petrouchka / Scene 4 - The Merchant and the Gipsies de Berman - Stravinsky : Petrouchka / Scene 4 - The Police and the Charlatan de Israel Philharmonic Orchestra - Stravinsky : Petrouchka / Scene 4 - The Scuffle de Berman - Stravinsky : Petrouchka / Scene 4 - The Shrovetide Fair (Evening) de Berman - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 1. Sinfonia (Ouverture) de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 2. Serenata de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 3. Scherzino - Allegro - Andantino de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 4. Tarantella de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 5. Toccata de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 6. Gavotta con due variazioni de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 7. Vivo de Israel Philharmonic Orchestra - Stravinsky : Pulcinella (Concert Suite) - revised 1949 version - 8. a) Minuetto: Molto moderato, b) Finale: Allegro assai de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Apothéose de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Danses (corps de ballet) de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Introduction de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Pantomime de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Pas de deux de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Variation (Ballerina) de Israel Philharmonic Orchestra - Stravinsky : Scènes de ballet - Variation (Dancer) de Israel Philharmonic Orchestra - Stravinsky : Symphony in 3 Movements - 1. without indication de Israel Philharmonic Orchestra - Stravinsky : Symphony in 3 Movements - 2. Andante - de Israel Philharmonic Orchestra - Stravinsky : Symphony in 3 Movements - 3. Con moto de Israel Philharmonic Orchestra - Stravinsky : Symphony in 3 Movements - Interlude: L'istesso tempo de Israel Philharmonic Orchestra - Stravinsky : Symphony in C - 1. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I de Israel Philharmonic Orchestra - Stravinsky : Symphony in C - 2. Larghetto concertante - de Israel Philharmonic Orchestra - Stravinsky : Symphony in C - 3. Allegretto - Meno mosso - Tempo I - Più mosso - Tempo I de Israel Philharmonic Orchestra - Stravinsky : Symphony in C - 4. Largo - Tempo giusto, alla breve - Poco meno mosso de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - 3. Variation of the Firebird de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Berceuse de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Dance of the Firebird de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Finale de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Infernal Dance of King Kaschei de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Introduction de Israel Philharmonic Orchestra - Stravinsky : The Firebird (L'oiseau de feu) - Suite (1919) - Round Dance of the Princesses de Israel Philharmonic Orchestra - Symphonic Suite From The Film: "On The Waterfront" de Israel Philharmonic Orchestra - Symphonie fantastique Op. 14 (1977 Digital Remaster): I. Rêveries - Passions (1987 Digital Remaster) de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1977 Digital Remaster): II. Un bal (1987 Digital Remaster) de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1977 Digital Remaster): III. Scène aux champs (1987 Digital Remaster) de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1977 Digital Remaster): IV. Marche au supplice (1987 Digital Remaster) de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1977 Digital Remaster): V. Songe d'une nuit du Sabbat (1987 Digital Remaster) de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1987 Digital Remaster): IV. Marche au supplice de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1987 Digital Remaster): V. Songe d'une nuit du Sabbat de Orchestre National de France/Leonard Bernstein - Symphonie fantastique Op. 14 (1999 Digital Remaster): IV. Marche au supplice de Orchestre National de France/Leonard Bernstein - Symphony 05 D minor: allegro non troppo de Various Artists - Symphony in D minor: allegro non troppo de Various Artists - Symphony No. 3 in E Major, Op. 55 - "Eroica": I. Allegro con brio de New York Stadium Symphony Orchestra - Symphony No. 3 in E Major, Op. 55 - "Eroica": II. Marcia funebre - adagio assai de New York Stadium Symphony Orchestra - Symphony No. 3 in E Major, Op. 55 - "Eroica": III. Allegro molto vivaceMenuetto - allegro molto e vivace de New York Stadium Symphony Orchestra - Symphony No. 3 in E Major, Op. 55 - "Eroica": IV. Finale - adagio - allegro molto e vivace de New York Stadium Symphony Orchestra - Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo de The Stadium Concerts Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": I. Adagio - allegro no troppo de New York Stadium Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": I. Adagio - Allegro non troppo de The Stadium Concerts Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": II. Allegro con grazia de New York Stadium Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": III. Allegro molto vivace de New York Stadium Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": IV. Adagio lamentoso de The Stadium Concerts Symphony Orchestra - Symphony No. 6 in B Minor, Op. 74 - "Pathétique": IV. Finale - adagio lamentoso - andante de New York Stadium Symphony Orchestra - Symphony No. 9 in E Minor, Op. 95 - "From the New World": I. Adagio. Allegro molto de Antonin Dvo?ák - Symphony No. 9 in E Minor, Op. 95 - "From the New World": II. Largo de Antonin Dvo?ák - Symphony No. 9 in E Minor, Op. 95 - "From the New World": III. Scherzo. Molto vivace de Antonin Dvo?ák - Symphony No. 9 in E Minor, Op. 95 - "From the New World": IV. Allegro con fuoco de Antonin Dvo?ák - Symphony No.3 in one movement de New York Philharmonic Orchestra - Symphony No.40 in G minor, KV550: II. Allegro con grazia de The Stadium Concerts Symphony Orchestra - Symphony No.6 in B minor, Op.74: I. Allegro non troppo de The Stadium Concerts Symphony Orchestra - Tchaikovsky : Capriccio italien, Op.45 de Israel Philharmonic Orchestra - Tchaikovsky : Francesca da Rimini, Op.32 de New York Philharmonic Orchestra - Tchaikovsky : Francesca da Rimini, Op.32 - Andante lugubre - Allegro vivo - Andante cantabile non troppo - Allegro vivo de Israel Philharmonic Orchestra - Tchaikovsky : Ouverture solennelle "1812," Op.49 de Israel Philharmonic Orchestra - Tchaikovsky : Romeo and Juliet, Fantasy Overture - Andante non tanto quasi Moderato - Allegro giusto - Moderato assai de New York Philharmonic Orchestra - Tchaikovsky : Slavonic March, Op.31 de Israel Philharmonic Orchestra - Tchaikovsky : Symphony No.4 in F minor, Op.36 - 1. Andante sostenuto - Moderato con anima - Moderato assai, quasi Andante - Allegro vivo de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.4 in F minor, Op.36 - 2. Andantino in modo di canzone de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.4 in F minor, Op.36 - 3. Scherzo. Pizzicato ostinato - Allegro de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.4 in F minor, Op.36 - 4. Finale (Allegro con fuoco) de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.5 in E minor, Op.64 - 1. Andante - Allegro con anima de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.5 in E minor, Op.64 - 2. Andante cantabile, con alcuna licenza - Moderato con anima de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.5 in E minor, Op.64 - 3. Valse (Allegro moderato) de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.5 in E minor, Op.64 - 4. Finale (Andante maestoso - Allegro vivace) de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 1. Adagio - Allegro non troppo de New York Stadium Symphony Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 1. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 2. Allegro con grazia de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 3. Allegro molto vivace de New York Philharmonic Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 4. Finale (Adagio lamentoso - Andante) de New York Stadium Symphony Orchestra - Tchaikovsky : Symphony No.6 in B minor, Op.74 -"Pathétique" - 4. Finale: Adagio lamentoso - Andante de New York Philharmonic Orchestra - The Best of All Possible Worlds de New York City Opera Chorus and Orchestra - The Gong on the Hook and Ladder or Firemen's Parade on Main Street de New York Philharmonic Orchestra - The Unanswered Question de New York Philharmonic Orchestra - Tone Roads No.1 de New York Philharmonic Orchestra - Tonight de Brubeck - Top Sound Of Broadway de Slokar Trombone Quartet - Travel (to the stables)/I Am Easily Assimilated de Mauceri - Valahol de Mahó Andrea - Verdi : Messa da Requiem - 2. Ingemisco de Domingo - Våra Vänners Låtar (Medley) (Live) de Family Four/Göran Zetterlunds Orkester - W. H. Schuman : Symphony No.3 / Part 1 - Fugue de New York Philharmonic Orchestra - W. H. Schuman : Symphony No.3 / Part 1 - Passacaglia de New York Philharmonic Orchestra - W. H. Schuman : Symphony No.3 / Part 2 - Chorale de New York Philharmonic Orchestra - W. H. Schuman : Symphony No.3 / Part 2 - Toccata de New York Philharmonic Orchestra - Wagner : Tristan und Isolde - Prelude to Act 1. Langsam und smachtend de Symphonieorchester des Bayerischen Rundfunks - Wagner : Tristan und Isolde / Act 1 - "Auf! Auf! Ihr Frauen!" de Weikl - Wagner : Tristan und Isolde / Act 1 - "Frisch weht der Wind der Heimat zu" de Behrens - Wagner : Tristan und Isolde / Act 1 - "Hab acht, Tristan!" de Weikl - Wagner : Tristan und Isolde / Act 1 - "Herr Tristan trete nah!" - "Begehrt, Herrin, was Ihr wünscht" de Hofmann - Wagner : Tristan und Isolde / Act 1 - "Tristan! - Isolde! Treuloser Holder!" de Behrens - Wagner : Tristan und Isolde / Act 1 - "War Morold dir so wert" de Hofmann - Wagner : Tristan und Isolde / Act 1 - "Weh, ach wehe! Dies zu dulden" de Behrens - Wagner : Tristan und Isolde / Act 1 - "Westwärts schweift der Blick" de Behrens - Wagner : Tristan und Isolde / Act 1 - "Wie lachend sie mir Lieder singen" de Behrens - Wagner : Tristan und Isolde / Act 2 - "Hörst du Sie noch?" de Behrens - Wagner : Tristan und Isolde / Act 2 - "Isolde! Geliebte! - Tristan! Geliebter!" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "Lausch, Geliebter!" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "O König, das kann ich dir nicht sagen" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "O sink hernieder, Nacht der Liebe" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "Rette dich, Tristan!" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "So starben wir" de Hofmann - Wagner : Tristan und Isolde / Act 2 - "Tatest du's wirklich?" de Hofmann - Wagner : Tristan und Isolde / Act 2 - Prelude de Symphonieorchester des Bayerischen Rundfunks - Wagner : Tristan und Isolde / Act 3 - "Bist du nun tot?" de Hofmann - Wagner : Tristan und Isolde / Act 3 - "Der einst ich trotzt'" de Hofmann - Wagner : Tristan und Isolde / Act 3 - "Ich bin's, ich bin's" de Behrens - Wagner : Tristan und Isolde / Act 3 - "Kurwenal! He!" de Hofmann - Wagner : Tristan und Isolde / Act 3 - "Kurwenal! Hör!" de Minton - Wagner : Tristan und Isolde / Act 3 - "Mild und leise wie er lächelt" (Isoldes Liebestod) de Behrens - Wagner : Tristan und Isolde / Act 3 - "O diese Sonne!" de Hofmann - Wagner : Tristan und Isolde / Act 3 - "O Wonne! Freude!" de Hofmann - Wagner : Tristan und Isolde / Act 3 - "Wo ich erwacht, weilt ich nicht" de Hofmann - Wagner : Tristan und Isolde / Act 3 - Prelude de Symphonieorchester des Bayerischen Rundfunks - West Side Story Medley de Ramsey Lewis Trio - Westphalian Fanfare, Chorale, Battle Music, and It Must Be So reprise de Mauceri - What A Movie! (LP Version) de Upshaw - Ya Got Me (From "On The Town") de Wise - You're Awful